Golden Touch
Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
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There are two very distinct strands to Richard Alston's choreography. The first is a provocative, experimental path, where Alston's eccentric musical choices dictate the shifts and twists within. The second is a more classical, traditional route. Yet, both are never too sentimental or frilly, in spite of the craftsmanship. His is a “get on with it” approach, and there is an enormous amount of heart and humour, so it's really heartbreaking to think there have been recent cuts to the company, and they're winding down.
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Pierre Tapon, Nancy Nerantzi, Anelli Binder in “Isthmus.” Photograph by Tony Nandi
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Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
Continue ReadingFrench choreographer Lea Tirabasso makes dense, intricate work which explores existential concerns connected with science, nature and morality. Witty, vivid and visceral, her work pushes beyond simple genres or choreographic language, creating something far richer and more complex. Her most recent piece, “In the Bushes” is part of the Edinburgh Festival this year. Fjord Review caught up with Léa Tirabasso ahead of the Summerhall run.
Continue ReadingWhy Not Theatre’s bold, multidisciplinary adaptation of the Mahabharata drew a rapt audience at Lincoln Center’s vibrant summer arts festival “Summer for the City.”
Continue ReadingStephen Petronio has an odd way of celebrating his 40th anniversary. He and his board have decided this season will be the company’s last.
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