Piece by Piece
Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
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This Scottish debut, fusing documentary with performance, is at once a celebration of feminine power, and deconstruction of the “model” ballets performed around the time of China's Cultural Revolution. Beijing-based choreographer Wen Hui, formed Living Dance Studio with filmmaker Wu Wenguang in 1994, becoming China's first independent dance theatre company. And this witty and inventive study of both the implications of the Communist regime, and what is expected of female dancers, is also incredibly powerful in its own subtle and understated way—never didactic for its own sake.
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Living Dance Studio's “RED.” Photograph by Laurent Philippe for Dance Umbrella
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Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue Reading“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.
Continue ReadingBeneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.
FREE ARTICLEHubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.
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