World-class review of ballet and dance.
Born in St. Tropez, Lucy Elliott grew up in the south of France where she started dance classes at four years of age. By age 7, she knew wanted to dance professionally. She trained in Cannes, Paris Opera Ballet School, and Canada’s National Ballet School. Last September she went the European Ballet School in Amsterdam, before joining the Paris Opera Ballet in January of this year, and before the lockdown, she was preparing to dance in George Balanchine’s iconic ballet, “Serenade.”
“Uncommonly intelligent, substantial coverage.”
Already a paid subscriber? Login
Who is on your pre-show/warm-up playlist?
I normally do my warmup routine play some music that I love. My pre-show playlist includes Anderson Paak, Kanye West, Beyonce, Daniel Caesar … Once I’ve warmed up I go on stage, I go through the choreography, remembering the last changes and notes …
Describe your preparation for “Serenade”
When I discovered I was going to be part of “Serenade” I felt extremely lucky. Balanchine’s choreography is so beautiful and touching. My favourite part is the opening scene, it has such a strong female energy. I’m an understudy so I have to learn every spot of the corps ballet, so it’s pretty challenging but I feel so privileged to be part of this ballet and to [eventually] be performing it on stage of the Opera Bastille with Paris Opera Ballet!
What’s the greatest challenge of being a dancer?
To always improve and grow, you can always be a better version of yourself.
If you weren’t a dancer, you’d be …
I’ve never really thought about it but I would love to pursue a career around the ballet world or the fashion world.
Words of advice to your teenage self:
To not overthink, and be confident.
How do you recharge?
For me recharge is all about self care, from the littlest things such as taking a warm bath to fuelling my body with healthy goods.
Stage or rehearsal?
Both! I love working in the studio, learning new pieces and being inspired by other dancers around me, however nothing feels better than performing on stage.
Which choreographer would you most like to work with?
Definitely William Forsythe, Crystal Pite, Davis Dawson and and more . . .
Favourite place you’ve danced/performed?
Dancing at the Palais Garnier has always felt like magic since I joined Paris Opera Ballet school.
Dream role!!!
There are so many! But I would love to work on the role of Giselle as it's my favourite ballet.
As the lights dim in Sadler’s Wells, I am struck by how dark the theatre I’m sitting in is. These few moments before a show begins create a unique situation of near complete trust on the audience; there’s no light, natural or artificial.
Continue Reading
During the past ten years, Jody Sperling has created a portfolio of dance works that calls for action to protect and preserve the environment. She has traveled to the Arctic to dance on disappearing ice.
FREE ARTICLE
To stand out in a sea of world premieres, honesty and emotionality are key, if Repertory Dance Theatre’s most recent program, “Venture,” is any indication.
Continue Reading
On the cusp of celebrating their company’s milestone anniversary, Dwight Rhoden and Desmond Richardson, who co-founded the New York-based Complexions Contemporary Ballet in 1994, still have plenty to say, both onstage and off.
FREE ARTICLE
comments