Eleanor Sikorski, Flora Wellesley Wesley and Stephanie McMann, the charming dancers behind the London-based trio Nora, routinely invite guest choreographers to create new work on them. The approach is useful for showcasing their versatility as performers, particularly their flair for theatre, but makes it difficult to identify stylistic through-lines in their rep. Previous pieces shown at the Lilian Baylis have been hugely disparate, their moods ranging from jovial to irreverent to tranquil. With its abstract, contemplative tenor, the troupe’s newest work, “Where Home Is,” by Deborah Hay, adds another contrasting number to the mix.
Nora performing “Where Home Is” by Deborah Hay. Photograph by Camilla Greenwell
One way to get to know the history of a company is through the “liner notes” of its “Swan Lake” production, and for those of us continuing to build an admiring familiarity with Pacific Northwest Ballet via its digital season offerings, Kent Stowell and Francia Russell’s “Swan Lake” provides an interesting glimpse into PNB prior to Peter Boal’s leadership.FREE ARTICLE