Hard (Nut) Facts
I couldn’t stop thinking about hockey at the New York City Ballet’s “Nutcracker” this year, and not only because the stage appeared to be made of ice: there were a slew of spectacular falls one night I attended.
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Four distinct works, their creation initiated by a shared prompt. Four choreographers, plus time, space, and the ten dedicated contemporary ballet artists of Amy Seiwert’s company, Imagery. An environment that prizes risk-taking over accomplishment. This is the formula taken up by Seiwert for her annual incubator project, Sketch, initiated in 2011 to foster innovation in ballet-based choreography. “We come here with permission to fail,” she has stated in interviews. That said, the four dance makers/risk takers for Sketch 13: Lucky, created a compelling and entertaining exploration that happens to also look quite accomplished. It’s a terrific send off for the project that Seiwert, recently named incoming artistic director for Smuin Ballet, has announced will be her last.
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I couldn’t stop thinking about hockey at the New York City Ballet’s “Nutcracker” this year, and not only because the stage appeared to be made of ice: there were a slew of spectacular falls one night I attended.
Continue ReadingLast week, during the first Fjord Review Dance Critics’ Festival, Mindy Aloff discussed and read from an Edwin Denby essay during “The Critic’s Process” panel.
Continue ReadingThere are “Nutcrackers,” and then there’s American Contemporary Ballet’s “The Nutcracker Suite.”
Continue ReadingIs it as traditional as there being “The Nutcracker” or the British pantomime on at Christmas time, for there to be an alternative offering?
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