Jiří Kylián, Discipline and Freedom
The world-renowned Czech choreographer and multimedia artist Jiří Kylián was recently honored with a retrospective festival at the Oslo opera house.
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Rambert’s latest bill, “Love, Art & Rock’n’Roll,” features works from three different choreographers, each corresponding to one of the titular motifs. There’s a fair bit of thematic crossover between Didy Veldman’s ‘art’ offering (“The 3 Dancers,” debuted earlier this autumn) and Kim Brandstrup’s ‘love’ (“Transfigured Night,” here receiving its London premiere): both are earnest in tone and romantic in subject—an intersection that somewhat sequesters Christopher Bruce’s jaunty 1991 Rolling Stones tribute, “Rooster” (in its final performance here). Thematic incongruity aside, the picks gave rise to some stellar opening night performances, with company favourites Dane Hurst and Miguel Altunaga shining particularly brightly—a testament to each one’s technical virtuosity and artistic versatility.
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Brenda Lee Grech, Daniel Davidson and Miguel Altunaga in Didy Veldman's“The Three Dancers.” Photograph by Tristram Kenton
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The world-renowned Czech choreographer and multimedia artist Jiří Kylián was recently honored with a retrospective festival at the Oslo opera house.
Continue ReadingUntil March 2022, Olga Smirnova was one of the top dancers at the Bolshoi, performing roles in a large swathe of the repertory, everything from Odette in “Swan Lake” to Marguerite Gauthier in John Neumeier’s “Lady of the Camellias” and Bianca in Jean-Christophe Maillot’s “Taming of the Shrew.” She was an infrequent visitor to New York, though she appeared in Natalia Makarova’s “La Bayadère” at American Ballet Theatre in 2014 and took part in the now legendary performances of George Balanchine’s “Jewels” at the Lincoln Center Festival in 2017, in which each section—”Emeralds,” “Rubies,” “Diamonds”—was taken on by dancers from...
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Continue ReadingCasual perfection. Studied grace. Spontaneous elegance. These are but a few of the words that came to mind when this writer observed nine gorgeous dancers from LA Dance Project and four students from the Trudi Zipper Dance Institute at the Colburn School, cavorting around the courtyard and grounds of the Wallis Annenberg Center for the Performing Arts last Friday in Janie Taylor’s “Anthem.”
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