Spellbound
Two performers crawl in on hands and knees wearing neon green, hooded coveralls—the lightweight papery kind made for working in a sterile environment—and clusters of balloons pinned to their backs.
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World-class review of ballet and dance.
Just over a year ago, I made an early decision to retire from my career as a professional dancer. Leaving behind the glory of the stage, the grind of endless hours in the studio . . . the past 16 years of my life dedicated to performing art. I know for certain that not one day has gone by that I haven’t considered my decision, contemplated my timing . . . wondered what ballet I might be rehearsing or injury I might be nursing if I was still “in the game.” I go to the theater frequently to get my fix of live art, and each time I sit there on the other side of the curtain, a cocktail of mixed emotions swirls in my soul, a bittersweet taste of a life I knew so well, combined with an urge to be up on stage with the rest of them. Needless to say, it’s hard for me to sit still.
Shelby Elsbree. Photographs by Karolina Kuras
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Two performers crawl in on hands and knees wearing neon green, hooded coveralls—the lightweight papery kind made for working in a sterile environment—and clusters of balloons pinned to their backs.
Continue ReadingWill Rawls makes boundaries visible by defying them. Known for the disciplinary and topical range of his projects, the choreographer, director, and performer approaches issues of representation in “[siccer],” a multi-part, multi-site work co-presented by L’Alliance New York’s Crossing the Line Festival. A live performance at Performance Space New York accompanies a multimedia installation at the Kitchen, a book published by Wendy’s Subway, and an album published by the artist. With a creative process reaching back to 2018, the work delves explicitly into pandemic-era energies and inertias with focused intimacy and a pervasive sense of instability.
Continue ReadingIt is always interesting when multiple theme steps emerge over the course of a mixed repertory evening, but it is uncanny on one featuring five different ballets, each with a different choreographer and composer, covering a twenty-year span (2005-2025).
Continue ReadingZvidance premiered its new work “Dandelion” mid-November at New York Live Arts. Founded by Zvi Gotheiner in 1989, Zvidance has been a steady presence in the New York contemporary dance scene, a reliable source of compositional integrity, and a magnet for wonderful dancers.
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