With “Tryst: Devotion and Betrayal,” New English Ballet Theatre demonstrates an unfortunate truth: enthusiasm alone does not a successful performance make. The dancers here are sound and their energy laudable, but the mixed bill, a hodge-podge of five wildly different works, ultimately proves a victim of its own ambition, pitching overpowering choreography to underwhelming effect.
New English Ballet Theatre perform “Orbital Motion.” Photograph by Thierry Fonteyn
The son of a painter and a set designer, director/choreographer Jean-Christophe Maillot was, it seems, destined to have a life in the theater. Born and raised in Tours, in central France, in 1960, he studied dance and piano at the Conservatoire Nacional de Région de Tours before joining the Rosella Hightower International School of Dance in Cannes.Continue Reading