World-class review of ballet and dance.
The Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years. This year's two-week run saw the National Ballet of Spain, Premio Nacional de Danza winner Olga Pericet in her intimate solo piece, “La Leona,” and Gala Flamenca, highlighting dance talents Manuel Liñán, Alfonso Losa, El Yiyo, and Paula Comitre, accompanied by vocalist Sandra Carrasco. Steven Pisano photographed the festival for Fjord Review.
The United States is surreal at this moment. Dancers in black have been circling the Kennedy Center in Washington D.C., performing Pina Bausch’s “Nelken Line” choreography to protest the self-proclaimed dictator making himself chair of the Center’s board. Choreographers are giving up hopes of National Endowment for the Arts funding now that guidelines demand “patriotic” art.
Continue Reading
Los Angeles-based Heidi Duckler, dubbed “Queen of Site-Specific Dance,” and whose Heidi Duckler Dance is celebrating 40 years of transforming spaces through the power of contemporary movement—kudos!—has stepped aside as artistic director, handing the reigns to associate artistic director, Raymond Ejiofor.
Continue Reading
“Tanz” opens on a ballet class like none I’ve ever attended. Onstage are two portable barres and four dancers in rehearsal clothes stretching and warming up. Eighty-three year old ballerina Beatrice Cordua teaches from a wheelchair, naked.
Continue Reading
John Scott Dance's “Begin Anywhere” started in the middle. A dancer walked to the center of the Irish Arts Center's JL Greene Theatre holding a discman, placed it on the floor, and pressed play.
FREE ARTICLE
comments