Lifted Spirits
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
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From the Joffrey Ballet of Chicago and Ballet Hispánico, to the Royal Ballet of Flanders and Danza Contemporanea de Cuba, choreographer Annabelle Lopez Ochoa has covered the terpsichorean waterfront. Indeed, the in-demand maker, who is half-Columbian and half-Belgian, has, at last count, created works for some 77 companies. Among those dances is her full-length “Frida,” which will be performed by Dutch National Ballet in its first appearance at the Los Angeles Music Center July 14-16, when the work receives its US debut.
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Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
Continue ReadingTalk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best.
Continue ReadingOf all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.
Continue ReadingComplexions Contemporary Ballet turned 30 this year, and their two-week residency at the Joyce Theater was a party.
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