To look at the ocean can be deceiving. With feet planted in the sand, facing the horizon, we think we know where we are; the tide signals for how long. To look into the ocean is a different story: Looking in offers no sense of start and stop, no sides to stand on, no tide nor time. Looking in confronts us only with an endless sense of motion encompassed by a larger unknown. Bill T. Jones's long-awaited “Deep Blue Sea,” a work massive in both size and depth and presented at the Park Avenue Armory in New York through October 9th, thrusts its audience into that sea, using movement, text, music, and hypnotic projections to disorient us into revelation.
The Bill T. Jones/Arnie Zane Company in “Deep Blue Sea.” Photograph by Stephanie Berger/Park Avenue Armory
When a choreographer takes on volcanic and iconic works from American musical giants like Leonard Bernstein and John Adams one move they could take is to cool them down with a couple of more soothing European works in between.Continue Reading