World-class review of ballet and dance.
[wcs-schedule id=2]
Elisa Badenes and Friedemann Vogel in “Mayerling” by Kenneth MacMillan. Photograph credit: Stuttgart Ballet
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
For a Jewish man, Jerome Robbins sure had a clear idea of heaven—in the ballet realm, anyway. In two elegiac dances made less than a year apart, “In Memory Of…” and “Quiet City,” he had dancers in white doing low arabesque flies in a shaft of light emanating from the back left corner of the stage.
Continue Reading
To travel around, like the Earth in its recurrent, elliptical revolution around the sun, is no mean feat. Touring is a complicated, lengthy and costly affair.
FREE ARTICLE
“Specky Clark” opens with a bang, then a whimper. The bang is the titular Specky’s mother, dropping dead onto the kitchen floor.
Continue Reading
The sought-after choreographer Aszure Barton and award-winning composer Ambrose Akinmusire bend their individual arcs toward one another in their collaborative, multi-disciplinary work titled “A a | a B : Bend,” presented as part of Lincoln Center’s Pasculano Collaborative for Contemporary Dance.
Continue Reading
comments