Child's Play
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continue ReadingWorld-class review of ballet and dance.
Eyeballs, screaming crones, and bloody axes were projected on a scrim at the top of American Ballet Theater’s new production of “Crime and Punishment.” Not bad for Halloween programming! Yet, despite Isobel Waller-Bridge’s cinematic, pressure-cooker score—which frequently evoked escape room music—there was very little suspense in Helen Pickett and James Bonas’s new narrative full-length. (Pickett is credited with choreography, co-direction, and treatment, while Bonas is credited with direction and treatment.) Between the program notes that thoroughly described all 22 scenes, and the onstage supertitles that presaged and sometimes interpreted them, there was not much room for surprise. That the murders occurred only in flashback, and at an arty distance, didn’t help.
Performance
Place
Words
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continue ReadingVous les voyez, les étoiles dans la salle?” the woman next to me whispered as the lights dimmed. And indeed, the stalls glittered with former stars of the Paris Opéra Ballet— dancers I recognised, visibly moved and deep in conversation during the interval.
Continue ReadingThere is probably no more beloved ballet, by audiences and dancers alike, than “Romeo and Juliet.”
Continue ReadingIn 2017 Virginie Mécène reimagined the lost Martha Graham solo “Ekstatis.” A review from that Martha Graham Dance Company premiere ended with a strong vote of confidence from critic Gia Kourlas: “Ms. Mécène should keep going.”
Continue Reading
comments