Star Dust
We are all of us, beings, in a constant state of continual change. We humans are a composition of oxygen, carbon, and hydrogen.
Continue ReadingWorld-class review of ballet and dance.
No matter how many bells, whistles and special effects are deployed in a dance, if the choreography isn’t there, the exercise/event borders on being pointless. To wit: the two-act “Tesseract,” a collaboration between filmmaker Charles Atlas and choreographers Rashaun Mitchell and Silas Riener, who happen to be very good movers. That this trio also comes with a first-class pedigree—Atlas served as filmmaker-in-residence for Merce Cunningham for a decade from the early 1970s through 1983, and Mitchell and Riener both danced with the postmodern genius during the troupe’s final years—upped the expectation ante while falling short on its deliverables.
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Rashaun Mitchell, Cori Kresge, Melissa Toogood, Silas Riener, Kristen Foote, and David Rafael Botana in “Tesseract.” Photograph by Mick Bello, EMPAC
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We are all of us, beings, in a constant state of continual change. We humans are a composition of oxygen, carbon, and hydrogen.
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