“Mirrors” opened with a work previously set on Boston Ballet. “Resonance”—choreographed by José Martinez and recently revived through the support of the Krupp Endowment for Contemporary Dance—is a moving work in which audience members can continue to find additional layers of depth upon second viewing. With costumes and set cloaked in shades of grey, the choreography unfolds with an emphasis on lines, partnering, and shadows. Most memorable of this work is its roaming walls—a series of large panels which shift effortlessly throughout the stage, at times revealing a second pianist, at others concealing a duet in motion.
Ashley Ellis and Dusty Button of Boston Ballet in Karole Armitage's “Bitches Brew.” Photograph by Gene Schiavone