Eye Candy
’Tis the season, so it would be churlish to pick holes in Christopher Hampson's glorious confection, adapted from Peter Darrell's iconic work.
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There’s a mythic quality to Angelin Preljocaj’s “La Fresque,” both in theme and aesthetic. The 2016 production, recently shown in the UK for the first time, is inspired by a medieval Chinese saga about Chu (Marius Delcourt), a man who delves into a mural and marries its subject before being booted back to reality. There are pounding drums and starry skies, hair coiled to evoke ancient deities. We see pilgrims scaling mountains, seraphim swinging from the heavens, Spartans squaring off for battle. The folkloric angle is right up Preljocaj’s alley: other works with his Aix-en-Provence-based company include “Snow White” and “Siddharta.”
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Ballet Preljocaj in “La Fresque” by Angelin Preljocaj. Photograph by Jean-Claude Carbonne
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