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"Now ten years old, this extraordinary little magazine has grown to become a cultural mainstay, not just a valued critical source, but a cultural communicator, critic, review, booster and historian."

Brenda Way
ODC/Dance

Articles

Touch the Sublime
REVIEWS | Karen Greenspan

Touch the Sublime

The crowning ornament of Lincoln Center’s India Week was the collaborative creation and performance of “Samsara” by Aakash Odedra and Hu Shenyuan. India Week, the weeklong summer curation of events celebrating India’s culture, elevated the concept of performing arts with this journey to the sublime.

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Mexicana
REVIEWS | Victoria Looseleaf

Mexicana

The heat was turned up to habanero-strength at the famed Hollywood Bowl on Thursday, when a pair of Mexican national treasures made their debuts.

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Listen, Notice
REVIEWS | Karen Hildebrand

Listen, Notice

On a steamy July evening, the arty fashionistas of Bushwick seem remarkably crisp and refreshed, wine spritzers in hand, as they gather for a rare showing by two rock stars of dance at Carvalho Park gallery in Brooklyn.

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Christopher Wheeldon, Impossible Dreams
INTERVIEWS | Victoria Looseleaf

Christopher Wheeldon, Impossible Dreams

One of the most industrious, clever, and revered choreographers working today, Christopher Wheeldon—he was named an Officer of the Order of the British Empire (OBE) in 2016—has been on a balletic and Broadway tear for years. Indeed, since the British-born Wheeldon first donned ballet shoes and took to the barre as an eight-year old, the world has taken notice.

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A Little More Action

A Little More Action

Smuin Contemporary Ballet is a different company than when it last came to New York in 2012, five years after the sudden death of its popular founder. Michael Smuin was...

Performance

Smuin Contemporary Ballet: choreography by Val Caniparoli, Amy Seiwert, and Annabelle Lopez Ochoa

Place

The Joyce Theater New York, New York, July 13, 2024

Words

Karen Hildebrand

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Summer Fun
REVIEWS | Merilyn Jackson

Summer Fun

In its Summer Series 2024, the Philadelphia contemporary ballet company offers three world premieres by choreographers Amy Hall Garner, Loughlan Prior and Stina Quagebeur. The extended run, July 10-21 at the Wilma Theater, is just about the only dance to be seen during summer’s dog days. And what a cool and breezy show it is. Just the boost we needed.

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India Week
REVIEWS | Karen Greenspan

India Week

On a scorcher of a day in July, New York’s Lincoln Center launched India Week, a cultural extravaganza celebrating the variety and vibrancy of Indian culture. 

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Taylor Made
REVIEWS | Karen Hildebrand

Taylor Made

It’s a treat to see the Paul Taylor Dance Company perform within the close range of the Joyce Theater. (The company typically holds court at the much larger Lincoln Center.) 

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Reframing the Narrative

Reframing the Narrative

What is freedom? And how do you keep working to reclaim freedom with fresh energy and joy?

Performance

Pathways to Performance: Exercises in Reframing the Narrative

Place

Kennedy Center Eisenhower Theater, Washington D.C., July 2, 2024

Words

Rachel Howard

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American Legacies
REVIEWS | Eva S. Chou

American Legacies

In late April at New York City Center, the Martha Graham Dance Company began a three-year celebration of its 100th anniversary. The four City Center performances were collectively entitled “American Legacies.”

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Dancing for Peace
FEATURES | Leila Lois

Dancing for Peace

Love will always win, absolutely, over war and everything else” says dancer Marta Kaliandruk keenly, her pure blue eyes sparkling as she speaks to me in the wings of the theatre, during dress rehearsal for the Grand Kyiv Ballet’s Australian and New Zealand tour.

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Life with a Capital L
FEATURES | Alice Courtright

Life with a Capital L

During a bombing of Berlin in World War II, the young dancer Ludmilla Chiriaeff (née Otzoup Gorny) waited in a makeshift bomb shelter with her father. Alexander Otzoup was a writer and poet with a powerful imagination, who gathered regularly with other Russian émigrés to share work and talk.

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Finding Balance in an Unstable Universe

Finding Balance in an Unstable Universe

On one of the longest days of sunlight, the innovative, multi-disciplinary performance outpost in New York’s Hudson Valley, PS21, is presenting a “sneak preview” of a work under development in...

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In and Out of Time
REVIEWS | Cecilia Whalen

In and Out of Time

Dutch company Introdans’s mission statement is in its name: The group was founded by Ton Wiggers in 1971 to “introduce dance” to as large an audience as possible, at first responding to a lack of professional concert dance in Wiggers's own region, the eastern part of the Netherlands.

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Absurdism
REVIEWS | Cecilia Whalen

Absurdism

Twyla Tharp's newest evening-length work, “How Long Blues,” is absurd. In under an hour, it depicts jazz clubs and soccer games, giant marionettes, a string of affairs, an avalanche, and a suicide, all without any particular reasoning. 

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So Far So Good
REVIEWS | Faye Arthurs

So Far So Good

The School of American Ballet is celebrating its 90th anniversary this year. So is George Balanchine’s iconic “Serenade”—the first piece he made in America in 1934, choreographed on students from his brand-new academy.

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Sound Effect

Sound Effect

Sometimes there’s not much you’re able to say analytically about a dance work, and yet you know you’ve just witnessed a blood-guts-and-soul offering from an artist of the keenest kinaesthetic...

Performance

“Augia” by gizeh muñiz vengel in collaboration with Ernesto Peart Falcón and grisel gg torres

Place

CounterPulse, San Francisco, CA, June 15, 2024

Words

Rachel Howard

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