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New Wave
REVIEWS | Elsa Giovanna Simonetti

New Wave

What distinguishes a dancer from a choreographer? This is, in the end, an empirical question, one that can only be answered in the theatre.

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Americans in Paris
REVIEWS | Elsa Giovanna Simonetti

Americans in Paris

There is something charmingly didactic and intellectually generous about American dance companies touring Europe. At the start of a performance, it is not unusual for a director to step forward and offer a brief introduction, explaining the reasons for the tour and sketching the wider context of the programme. Paris audiences experienced this with the Martha Graham Dance Company last autumn, and now again with Dance Theatre of Harlem. Robert Garland, at the helm of the ensemble, took a moment to anchor the performance in lineage, recalling the company’s origins and its illustrious founder, Arthur Mitchell. As Garland recounted, Mitchell...

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The Right to Party
REVIEWS | Eoin Fenton

The Right to Party

What are you looking for in a night out in the theatre? Do you seek beauty? The ethereal? That may be the case for most at a ballet, but CCN Ballet de Lorraine’s double bill at the Southbank Centre wants to bring us on a whole trip.

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Feminine Mystique
REVIEWS | Karen Hildebrand

Feminine Mystique

Dresses, domestic chores, grief. A community of women more feral than feminine. Five performers wear a changing selection of 40 dresses that serve as both costume and prop.

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Glitter Revolution
REVIEWS | Victoria Looseleaf

Glitter Revolution

Talk about perfection! While the countdown is on, as Gustavo Dudamel, music director of the world-class Los Angeles Philharmonic, prepares to exit the stage for the New York Philharmonic (a big boohoo), his presence last weekend at Walt Disney Concert Hall further cemented his status as musical genius, tastemaker and catalyst for good.

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