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Fighting Spirit
REVIEWS | Karen Hildebrand

Fighting Spirit

There’s a distinct warrior theme to the evening shared by Angie Pittman and Kyle Marshall, though the two choreographers are working in very different styles and tone.

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All the World on Stage
FEATURES | Rachael Moloney

All the World on Stage

It’s not often these days that aspiring dancers and smaller companies can enjoy the luxury of state-of-the-art facilities to develop their practice and put on a show, especially in a capital city.

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Juliet Doherty, Following the Light
TALKING POINTES | Claudia Lawson

Juliet Doherty, Following the Light

Today I have the privilege of speaking with the divine Juliet Doherty. Juliet was born in Albuquerque, New Mexico, which is slightly more Breaking Bad than “Swan Lake,” but Juliet's grandparents owned a ballet studio which passed to Juliet's mother, and so the artistic genes ran deep.

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Into the Heart of the Cave
FEATURES | Karen Greenspan

Into the Heart of the Cave

One of the gems of New York City’s dance landscape is the Graham Studio Series, a programming cycle that offers behind-the-scenes interaction with the work of the Graham Company in their studio space. In early January, the series presented a Graham Deconstructed event exploring Martha Graham’s modernist masterwork “Cave of the Heart.”

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A Century of Moderns

A Century of Moderns

Sara Veale’s new book Wild Grace: The Untamed Women of Modern Dance (Faber & Faber) examines the lives of nine boldly subversive dancemakers over nearly a century, starting with Isadora...

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Ideation
REVIEWS | Sophie Bress

Ideation

Repertory Dance Theatre’s “Emerge” had the feel of a dance studio recital, for better and for worse. The annual showcase, designed to emphasize the robust dance community in Utah—which does, by the way, exist—had a warm, familiar feel, but lacked sufficient pedigree for a company of RDT’s caliber.

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The Legacy of Arlene Croce
FEATURES | Mindy Aloff

The Legacy of Arlene Croce

Although Arlene Croce was not a trained dancer (her afterschool arts training in childhood was as a painter) she took dancing seriously as both an occasion for pleasure and a cultural endeavor, and she took writing about it to be a serious cultural action as well, at least as important to the mental health of the public as some of the verbiage by politicians and their editors.

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Talking Pointes Season Four

Talking Pointes Season Four

Talking Pointes, the podcast that shines a light on life in dance and the performing arts, is back for a fourth season.

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Notes for the New Year
REVIEWS | Candice Thompson

Notes for the New Year

My favorite books of 2024 offer dance history from the artist’s point of view. Perhaps there is nothing too unusual about this, and yet, something about this trend feels special as we step with trepidation into the first days of 2025.

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High Hopes

High Hopes

The Alvin Ailey American Dance Theater’s annual December residency at City Center featured four world premieres. I caught two: Hope Boykin’s “Finding Free” and Lar Lubovitch’s “Many Angels.” 

Performance

Alvin Ailey American Dance Theater: Hope Boykin’s “Finding Free” / Lar Lubovitch’s “Many Angels,” / Alvin Ailey's “Revelations”

Place

New York City Center, New York, NY, December 12, 2024

Words

Faye Arthurs

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A Bug Menagerie
REVIEWS | Marina Harss

A Bug Menagerie

The Sarasota Ballet does not do a “Nutcracker”—they leave that to their associate school. Instead, over the weekend, the company offered a triple bill of which just one ballet, Frederick Ashton’s winter-themed “Les Patineurs,” nodded at the season. 

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Hard (Nut) Facts
REVIEWS | Faye Arthurs

Hard (Nut) Facts

I couldn’t stop thinking about hockey at the New York City Ballet’s “Nutcracker” this year, and not only because the stage appeared to be made of ice: there were a slew of spectacular falls one night I attended.

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Other Delights

Other Delights

Last week, during the first Fjord Review Dance Critics’ Festival, Mindy Aloff discussed and read from an Edwin Denby essay during “The Critic’s Process” panel.

Performance

“No President” by Nature Theatre of Oklahoma / “The Hard Nut” by Mark Morris / “A Very Sw!ng Out Holiday” directed by Caleb Teicher

Place

NYU Skirball / Harvey Gilman Opera House, Brooklyn Academy of Music / The Joyce Theater, New York, NY, December 2024

Words

Candice Thompson

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