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The Big World in Small Spaces
REVIEWS | Eoin Fenton

The Big World in Small Spaces

London has very little to do to convince the world of its artiness. It’s often given that eye-roll inducing title of a ‘world city;’ whatever your heart wishes to see will probably, at some point, make its way through London.

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Balletic Battlegrounds
REVIEWS | Faye Arthurs

Balletic Battlegrounds

The New York City Ballet’s Fall Fashion Gala was unusually tense this year, as the dancers refused to walk the red carpet or attend the post-performance dinner in protest of the standstill on their collective bargaining agreement.

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Between Wave and Water

Between Wave and Water

Alethea Pace's latest work, “between wave and water,” is a journey. Performers physically lead an audience through the Hunts Point neighborhood of the Bronx while examining the history of a...

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Devotion and Desire
REVIEWS | Gracia Haby

Devotion and Desire

Sir Kenneth MacMillan began his choreography for “Manon” with the pas de deux, and from this shining, central point spun outward. Building the story from its heart, almost as if from the inside out, the pas de deux reveals not only the emotional connection between the two dancers, but their place in the world.

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Diamonds are Forever
REVIEWS | Rachel Howard

Diamonds are Forever

It’s amusing to read in Pacific Northwest Ballet’s generally exceptional program notes that George Balanchine choreographed the triptych we now know as “Jewels” because he visited Van Cleef & Arpels and was struck by inspiration. I mean, perhaps visiting the jeweler did further tickle his imagination, but—PR stunt, anyone?

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Boundless Beauty

Boundless Beauty

As I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You...

Performance

Gerald Arpino Festival

Place

Joyce Theater, New York, NY, October 4, 2025

Words

Karen Hildebrand

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Misty Copeland's Legacy
FEATURES | Sophie Bress

Misty Copeland's Legacy

Misty Copeland’s upcoming retirement from American Ballet Theatre—where she made history as the first Black female principal dancer and subsequently shot to fame in the ballet world and beyond—means many things.

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Ground Control
REVIEWS | Gracia Haby

Ground Control

Moss Te Ururangi Patterson describes his choreographic process having a conversation with other elements. As he describes pushing himself under the waves, and a feeling of meditative, buoyancy as he floated in space, the impression of light beneath the water was paramount.

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Dreams of Dance

Dreams of Dance

All reviews of live performance are an exercise in hindsight. No matter how diligent a notetaker I will forever be rearticulating my in-the-moment responses into something that is ideally a...

Performance

“Toward One Another” by SOS (Sharing Our Stories)

Place

Seoul International Dance Festival: Sogang University, Seoul, Korea September 25, 2025

Words

Garth Grimball

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Song of Resistance
REVIEWS | Elsa Giovanna Simonetti

Song of Resistance

It will be impossible to walk past the Panthéon again without recalling what happened at the Théâtre des Champs-Élysées in late September 2025: the extraordinary transformation—verging on possession—of Germaine Acogny into Joséphine Baker.

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An Ideal Don Quixote
REVIEWS | Kris Kosaka

An Ideal Don Quixote

The curtain opens on a stark, grey stage. Cut off from the vitality of the world, an aged man, shabby and nondescript, exists only for his books. Inspired suddenly by a romantic vision, he forces a lazing servant to attend him and leaves behind this colorless prison, carrying his fantastical determination along with the dated accoutrements of a crusading knight.

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His A.I.M is True 

His A.I.M is True 

For its twentieth anniversary, A.I.M by Kyle Abraham showcased a trio of established works set to live music at the Rose Theater at Lincoln Center.

Performance

A.I.M by Kyle Abraham retrospective

Place

Rose Theater, Lincoln Center, New York, NY, September 25, 2025

Words

Faye Arthurs

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