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Piece by Piece
REVIEWS | Gracia Haby

Piece by Piece

Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.

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Moving Portraits
REVIEWS | Gracia Haby

Moving Portraits

Beneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.

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Falling for Hubbard
REVIEWS | Roísín O'Brien

Falling for Hubbard

Hubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.

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The Art of Becoming with Jack Lister

The Art of Becoming with Jack Lister

Like the productions he creates, Jack Lister is three things: enigmatic, polished, and intentional. He is both artist and observer, subject and spectator; his innate polarity creates a unique, yet...

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Dream Come True
REVIEWS | Victoria Looseleaf

Dream Come True

Talk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best. 

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The Tragedy of Hamlet
REVIEWS | Róisín O'Brien

The Tragedy of Hamlet

Of all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.

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Dance to the Music

Dance to the Music

BalletX concluded its 2024 season in its new home, the Suzanne Roberts Theatre across from the Wilma, a theater that had been its home for 18 years. 

Performance

BalletX: Fall Series

Place

The Suzanne Roberts Theatre, Philadelphia, PA, November 24, 2024

Words

Merilyn Jackson

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Coming into the Light
INTERVIEWS | Victoria Looseleaf

Coming into the Light

Loïe Fuller, groundbreaking artist, dancer and theatrical maverick, is finally getting her due in the feature-length documentary, Obsessed with Light. Opening at New York’s Quad Cinema on December 6, the film, directed by Zeva Oelbaum and Sabine Krayenbühl, is a meditation on light and the enduring passion to create.

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An Evening with Omar
REVIEWS | Karen Hildebrand

An Evening with Omar

A duet featuring the choreographer himself was an unexpected treat when Boca Tuya, founded in 2018 by Omar Román de Jesús, took the stage at 92NY last week. De Jesús is a scintillating model for the liquid, undulating movement style that flows through all three works of the evening.

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Dance Critics' Festival
Event | By Penelope Ford

Dance Critics' Festival

Designed to look at the process and art of writing dance criticism, this one-day event will feature panel discussions with Fjord Review writers, audience Q&A sessions, a conversation with a special guest choreographer, and networking reception. 

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Dreaming with Jawole Willa Jo Zollar
INTERVIEWS | Victoria Looseleaf

Dreaming with Jawole Willa Jo Zollar

Creating Urban Bush Women forty years ago—after having had a dream about her parents—Jawole Willa Jo Zollar may have stepped down as artistic director from the women-centered group dedicated to telling stories of the African diaspora through traditional and modern Africanist dance forms, but she’s busier than ever.

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Balanchine's America

Balanchine's America

George Balanchine loved American culture because he loved America. He had lived through tyranny and chaos as a boy in the Russian Revolution, and though his displays of affection for...

Performance

Pacific Northwest Ballet: “Square Dance” / “Stravinsky Violin Concerto” / “Prodigal Son” by George Balanchine

Place

Digital stream of performance in McCaw Hall, Seattle, WA; captured live on November 1, 2024

Words

Rachel Howard

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A Tale of Two Cities United by Dance
FEATURES | Merilyn Jackson

A Tale of Two Cities United by Dance

Philadelphia witnessed two Gala celebrations of dance and performance on opposite sides of town in October. It seemed like a tale of two cities. One in the center where much of the cultural events take place and the other on the fringes, down by the riverside.

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Human Movement
REVIEWS | Candice Thompson

Human Movement

Midway through “Frontera,” the dancers of Animals of Distinction, a multimedia dance company based out of Montreal, press their bodies into each other to form a line at the bottom of a large rectangle of blue light.

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A Liberated Congress
REVIEWS | Victoria Looseleaf

A Liberated Congress

“Hey, kids, let’s put on a show!” said Mickey Rooney to Judy Garland in the definitive Depression-era musical film, Babes in Arms, lo those many years ago. Well, if Denna Thomsen and Zak Ryan Schlegel had been around back then, what a show they would have mounted! 

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The Body as Archive

The Body as Archive

All too often it seems the human memory is too short. History is easily forgotten and, in a week where Americans are still processing the results of the presidential election,...

Performance

“Still/Here” by Bill T. Jones / “Movement” by Netta Yerushalmy

Place

Brooklyn Academy of Music / NYU Skirball, New York, NY, October 30 & November 1, 2024

Words

Candice Thompson

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