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Get Lost
REVIEWS | Eoin Fenton

Get Lost

Where do you go when you’re at the theatre? Are you looking for escape or confrontation? Do you want to weep for the world or tap your toe? In their latest tour to London for A Festival of Korean Dance, Korea National Contemporary Dance Company straddles somewhere in the middle.

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Next Gen
REVIEWS | Rebecca Deczynski

Next Gen

Around the corner from the crowds, billboards, Bubba Gump Shrimp and the Hard Rock Cafe, one can now find a decidedly more refined respite in the midst of midtown Manhattan.

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Bespoke Cinderella

Bespoke Cinderella

Cleveland Ballet's new “Cinderella,” choreographed by artistic director Timour Bourtasenkov, was the culmination of the company's steady growth in size, quality, and stature since its founding in 2014.

Performance

Cleveland Ballet: “Cinderella” by Timour Bourtasenkov

Place

Mimi Ohio Theatre at Playhouse Square, Cleveland, OH, May 15, 2026

Words

Steve Sucato

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Imaginary Seatmate
MEMOIR | Michael Quinn

Imaginary Seatmate

At the memorial for Joan Acocella, held at the New York Public Library for the Performing Arts, in the fall of 2025, I was drawn to the only red chair in the auditorium.

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The Rest is Silence
REVIEWS | Eoin Fenton

The Rest is Silence

“Hamlet” for many brings about fear. Not for its ghosts or its bloody end, but rather nightmarish memories of English classes where Shakespeare’s longest play was the source of ire for students across the English-speaking world.

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Lord of the Dance

Lord of the Dance

The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.

Performance

Spring is Blooming festival: “Untitled (Romance for Rockefeller Center)” by Pam Tanowitz / “MotorRover” and “to be seen” by Kyle Abraham

Place

Rockefeller Center, New York, NY, May 2026

Words

Faye Arthurs

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Wall Flowers
REVIEWS | Victoria Looseleaf

Wall Flowers

If there’s anything Shu Kinouchi can’t do—dance-wise, that is—nobody’s told him yet. Indeed, this endlessly fascinating artist who was with Houston Ballet and Tulsa Ballet before joining L.A. Dance Project in 2020, again proved a compelling presence in the first of four solo performances seen at LADP’s black box space last weekend.

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Men at Work
REVIEWS | Sara Veale

Men at Work

It’s been 25 years since William Trevitt and Michael Nunn swapped the Royal Ballet for the contemporary scene, building an imaginative portfolio across the stage and screen in step with choreographers like Russell Maliphant, William Forsythe and Christopher Wheeldon.

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A New Angle
DANCE FILM | FEATURES | Eoin Fenton

A New Angle

Dance on film is undoubtedly an integral element of the dance ecosystem, legendary works like Trisha Brown’s Watermotor or Anne Teresa de Keersmaeker’s Fase still capture the consciousness of contemporary dance fanatics and arty Instagram pages.

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Running Start
REVIEWS | Rebecca Deczynski

Running Start

Within the ranks of American Ballet Theatre, 76 dancers—who will be appearing onstage at the Metropolitan Opera House in just a few weeks—share a common background: they’ve matriculated from ABT Studio Company, where they found their footing in between their training and their professional careers.

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Jack of Hearts

Jack of Hearts

As the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their...

Performance

Northern Ballet: “Gentleman Jack” by Annabelle Lopez Ochoa

Place

Sadler's Wells, London, UK, May 19, 2026

Words

Eoin Fenton

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School Report
REVIEWS | Rachel Howard

School Report

One of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.

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Misery Business
REVIEWS | Eoin Fenton

Misery Business

Misery, grief, sorrow. However you want to cut it or label it, the depths of emotion are too irresistible a thing for artists to not attempt to emulate or articulate.

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Pretty Woman

Pretty Woman

“La Dame aux camélias” conveys the pain of the tragic love story between the celebrated, generous and doomed courtesan Marguerite Gautier and the passionate, idealistic and tormented Armand Duval.

Performance

Paris Opera Ballet: “La Dame aux Camélias” by John Neumeier

Place

Palais Garnier, Paris, May 5, 2026

Words

Elsa Giovanna Simonetti

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