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Into the Wilde
REVIEWS | Rachel Howard

Into the Wilde

At a time when the arts in America are under attack and many small dance companies are quietly disappearing, San Francisco’s dance scene—for decades second in its volume of activity only to New York—still has a pulse.

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Just the Steps
REVIEWS | Rebecca Deczynski

Just the Steps

Noé Soulier enters the space without warning, and it takes a few seconds for the chattering audience to register the man now standing before them, dressed simply in a grey t-shirt and black pants, barefoot.

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One More Time
REVIEWS | Rebecca Deczynski

One More Time

Over the span of two weeks, New York City Center’s Fall for Dance Festival brought to its storied stage a wide range of performers from across the globe with different disciplines, perspectives, and movement vocabularies. Its fifth and final program reiterated what it’s all about: exploring, and celebrating, all the different ways we dance.

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United Dancing Nations
REVIEWS | Faye Arthurs

United Dancing Nations

Program Four of the 22nd annual Fall for Dance Festival opened with an odd expression of gratitude: “thank you for going through all that you went through to get here,” Michael S. Rosenberg, the President and CEO of New York City Center, told the crowd. The 80th session of the UN General Assembly had shut down much of midtown (even to pedestrians), including the block of 55th street that is home to City Center.

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Pumpkin Spiced Rashomon
REVIEWS | Eoin Fenton

Pumpkin Spiced Rashomon

Recently, I came across a video of a woman having a meltdown at an American Football game. The details are unclear of what exactly went down, but the short clip of this young woman screaming ‘fuck off!’ to the person filming her while being restrained by her parents has garnered millions of views and thousands of derisive comments.

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The Sky is the Limit
REVIEWS | Victoria Looseleaf

The Sky is the Limit

As Martha Graham so succinctly put it, “The body says what words cannot.” Such was the case when Butoh master Oguri, his wife Roxanne Steinberg, Spanish-born Andrés Corchero and Chinese movement artist Mao, talked up a metaphorical storm in a dance performance with three crack musicians at the Electric Lodge over the weekend.

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Ballade Revival
REVIEWS | Faye Arthurs

Ballade Revival

The New York City Ballet’s fall season opened with a nicely varied all-Balanchine program. The man had range. The peasant campiness of “Donizetti Variations” led right into the romantic tremolos of “Ballade,” and his abridged version of the dramatic juggernaut “Swan Lake” followed the lone intermission.

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Slow Build
REVIEWS | Rebecca Deczynski

Slow Build

When viewing any work of art, patience may be a necessity, rather than a virtue alone. At least, in New York City Center’s second program for its annual Fall for Dance Festival, instant gratification is discouraged, with a slate of three works that reward viewers as they build, gradually, to ecstasy, horror, and mania.

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Real Men
REVIEWS | Rachel Howard

Real Men

At a time when masked ICE thugs are conducting raids up and down California, and the Supreme Court has just decreed the US government can continue arresting people based on the color of their skin, it was entirely appropriate that Rogelio Lopez’s new show opened with a voice over acknowledgement of the “horrors” besieging America’s Latino communities.

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The Personal and the Existential
REVIEWS | Sara Veale

The Personal and the Existential

There’s a dash of madness and oodles of heart in this 2022 dance theatre work from the choreographer Michael Keegan-Dolan, who takes us on a whistlestop tour through his biography, including his childhood in 1970s Dublin and his breakthrough years as a dancer (and eventual dancemaker) in ‘90s London.

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