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Rituals of Flesh and Labour
REVIEWS | Greta Pieropan

Rituals of Flesh and Labour

Last December, two works presented at Réplika Teatro in Madrid (Lucía Marote’s “La carne del mundo” and Clara Pampyn’s “La intérprete”) offered different but resonant meditations on embodiment, through memory and identity.

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Agile Masculinity
REVIEWS | Rebecca Deczynski

Agile Masculinity

The men are already on stage when the audience filters into the theater. Some stand stretching at the ballet barres, aligned in neat rows, and others move around, jumping, swinging their legs, lunging. 

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Dance Dance Revolution
REVIEWS | Rebecca Deczynski

Dance Dance Revolution

The questions that the choreographic duo known as Baye & Asa set out to answer in their in-progress work, “At the Altar” may or may not be rhetorical: Who or what do we worship? How do we worship? Who are the righteous? Who are the blasphemous?

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Dance Major
REVIEWS | Karen Hildebrand

Dance Major

On the rear wall of New York Live Arts’ black box theater, two grids of a dozen headlamps each resemble the glaring light towers of a sports arena.

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Weaving the Story
REVIEWS | Cecilia Whalen

Weaving the Story

The Pioneers Go East Collective's Out-Front! Festival highlights “radical queer art + dance,” making it a perfect resident festival for the historic Judson Memorial Church.

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Life, Death, Little Deaths, and a New Year Too
FIELD NOTES | Candice Thompson

Life, Death, Little Deaths, and a New Year Too

Dominica Greene makes snow angels in a small pool of light. As the audience chatter at Danspace Project quiets down, she revs to life. Rocking and talking about a rickety fan found in her grandparents’ house in Guyana, her shakes and shudders illustrate the pleasure her body derives from the appliance’s particular rhythm.

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