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Birds of a Feather
REVIEWS | Victoria Looseleaf

Birds of a Feather

Bird-themed dances are nothing new. In addition to the likes of “Swan Lake” (in its numerous iterations, Hello, Matthew Bourne!), “The Firebird” and “The Dying Swan,” there was also Merce Cunningham’s 1991 “Beach Birds.”

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Wild Child
REVIEWS | Faye Arthurs

Wild Child

Juliana F. May’s “Optimistic Voices,” which premiered last week at BAM Fisher, was pitched as an exploration of the “tangled contradictions of family, eroticism, and motherhood.”

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Pulling Back the Curtain
BOOKSHELF | Louise Greer

Pulling Back the Curtain

In the summer of 2007, writer Stephen Manes, known for his best-selling Bill Gates biography, over thirty books for young adults and children, and for his work as a technology columnist, proposed a new endeavor. He wished to spend an entire season at Pacific Northwest Ballet to observe like a fly on the wall and capture in written word a world of which most people will never catch a glimpse.

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The Game is On
REVIEWS | Steve Sucato

The Game is On

Move over, Matthew Bourne, there is a new voice in theatrical dance plays. Choreographer Penny Saunders' bespoke production of “Sherlock,” performed by Grand Rapids Ballet, was not only a triumph in bringing literature’s favorite super sleuth to the stage in dance form, but is an early contender as one of the 2025-26 dance season’s very best.

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Matters of the Heart
REVIEWS | Róisín O'Brien

Matters of the Heart

On the night of Halloween in South Bend, Indiana, I weave through costumed partygoers as I make my way to a special double bill at the University of Notre Dame’s DeBartolo Performing Arts Center.

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To the Beat of the Drum
REVIEWS | Karen Greenspan

To the Beat of the Drum

This fall, Japan Society is celebrating the centenary of legendary Japanese post-war author Yukio Mishima (1925-1970) with a series of works in theater, film, and dance inspired by his oeuvre.

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Home Lands
REVIEWS | Karen Greenspan

Home Lands

Powerhouse: International, the newly launched arts festival in Gowanus, Brooklyn, continued its fall offerings with the multidisciplinary work “Fampitaha, fampita, fampitàna,” co-presented with L’Alliance New York’s Crossing the Line Festival.

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Past Lives, Future Selves
FIELD NOTES | Candice Thompson

Past Lives, Future Selves

In an animation that is woven through the performances of traditional dances in Indigenous Enterprise’s “Still Here,” a young boy watches a video of powwow musicians and dancers with his grandfather on Youtube.  

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ABT, Past, Present, and Future
REVIEWS | Faye Arthurs

ABT, Past, Present, and Future

The final program of American Ballet Theatre’s fall season, titled “Innovations Past and Present,” featured the world premiere of Juliano Nunes “Have We Met!?” as well as two company gems: Alexei Ratmansky’s “Serenade after Plato’s Symposium” and George Balanchine’s “Theme and Variations.” 

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