Phoenix Rising
The traditional striped kabuki curtain of black, persimmon and green hangs tattered and faded. It’s our first hint of destruction.
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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."
Peter Boal
Artistic Director, Pacific Northwest Ballet
all articles
Spacial Awareness
On the final weekend of August, Kaatsbaan Cultural Park presented Anna Sperber’s Bessie award-winning dance “Bow Echo” during the opening day of its 2026 Annual Festival.
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Harvest Time
There is site-specific dance—think Trisha Brown’s 1970 groundbreaking work, “Man Walking Down the Side of a Building”—and then there’s Sarah Gordon Butler’s “Hay Rake Ballet.”
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Secret Gardens
This summer, hidden within the red brick warehouses and graffitied construction panels of industrial East Williamsburg, Brooklyn lay a secret garden.
Continue ReadingLove Letter to Mother Nature
Ballet X gave a performance of “The Four Seasons Reimagined” on June 11, 2026, at Saratoga Performing Arts Center in a premiere week that began at its home base in...
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Liz Lerman’s Legacy
Sprinkled throughout Liz Lerman’s most recent book, Shape and Momentum, are references to witches. They are our companions and guides, and they come bearing spells and poetry culled from Lerman’s 10-year choreographic project, “Wicked Bodies.”
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Pills, Thrills, and Heartbreak
Scottish Ballet’s artistic director Christopher Hampson CBE has long been a champion of storytelling from a completely unique perspective. So too, with These Violent Delights: the first feature-length film from the company.
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A Ballet Festival
The theme driving Misty Copeland’s curation of the Joyce Theater’s Ballet Festival was “to center Black, Brown, and Queer artists.”
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Solidarity
My first two shows at this year’s Dance Base as part of the Edinburgh Fringe show the consummate taste of artistic director Tony Mills. Two brilliant young companies from the Basque Country perform very different, but no less thrilling, work.
Continue ReadingWhite Space
When dance happens in non-traditional spaces, it can change the way it is seen and experienced. As Leonard Cohen said about the cracks in everything, “that’s where the light gets...
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Classical Style
“Ballet: the New Classic,” brainchild of fashion photographer Yumiko Inoue and K-Ballet Tokyo associate artist, Shohei Horiuchi, combines haute couture with innovative dance. Like sculpture in motion, it’s their third collaboration since creative director Inoue and producer and choreographer Horiuchi first realized their stylish vision in 2022.
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Writing a New Story
What should ballet look like? From the eight pieces that compose the first program of Misty Copeland’s curation for the Joyce Theater’s annual Ballet Festival, this much is clear: there’s no one single answer.
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Venice, Old and New
Old and new generations intersect each other in the city of Venice. This is true for dance as well, which had the lagoon city as a picturesque backdrop this summer for the Biennale Danza, where poetry and intellectual excellence are still preserved in its artistic offerings, even under the siege of tourism.
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Transcending Limitations
It starts with a tiny, barely noticed jerk of a hand or arm. Just one simple gesture, and then all hell breaks loose. TF Cia de Dança brings what has to be one of the most frenzied, sweaty pieces of dance to the Edinburgh Festival.
Continue ReadingA Call for Empathy
Part of artistic director Tony Mills’ remit at Dance Base is to seek out wonderful dance artists from across the world. This year, two sets of performances from Detours Festival,...
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In the Flow with Vangeline
For the final event of Lincoln Center’s Summer for the City outdoor Dance Encounters series, Butoh artist Vangeline performed the newly commissioned work “Naiad Metal” in the Paul Milstein Reflecting Pool at Hearst Plaza.
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Flamenco Soul
The Spanish term for a heightened state of emotion and authenticity, duende, roughly translates to a single word, “soul.”
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Dance and the Metropolis
Midway through the new book Nonstop Bodies: How Dance Shaped New York City, author Rennie McDougall pivots away from a chapter on the modernism of George Balanchine and the slum-clearing process of creating his “temple at Lincoln Center” to flesh out another diasporic music and dance culture emanating out of Harlem during a similar time in history: mambo.
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Lost Time
The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
Continue ReadingVow of Stability
I have seen Megan Fairchild dance three times. The first was semi-unintentional—soon after moving to New York in the fall of 2024, I got one of those $30 for 30+...
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