World-class review of ballet and dance.
Description
Subscribe to receive unlimited digital access across your devices.
What’s in my subscription?
A Digital subscription gives you unlimited access to all our online content across multiple devices. A Print + Digital subscription allows you unlimited access to online content, plus two print magazines annually.
When will I receive my magazines?
We publish two magazines per year, spring and fall editions. Subscribers are the first to receive their magazines, before single copies go on sale.
Returns
Returns are not offered on subscriptions, or on single copy sales.
What if I don’t receive my magazine?
Magazines are sent media mail or by regular mail and are not tracked unless selected in shipping. Please ensure that you have given us the correct address when you subscribe, or purchase the magazine. Please allow two weeks before contacting us regarding missing magazines.
Where do you ship?
We ship internationally, and regular postage is included for Print + Digital subscriptions only.
"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."
Peter Boal
Artistic Director, Pacific Northwest Ballet
There must be snow lightly dusting the shoulders. Mirlitons spin spritely and a striped, delectable flute. There must be magic and awe, in all its guises, and the reassurance that though the King Rat is nearby, crown askew, all is right in the world.
Continue Reading
Since 2013, the American Ballet Theatre has moved into the David H. Koch Theater for a Fall Season as soon as the New York City Ballet has moved out.
Continue Reading
“City Lights,” choreographed by Alastair Marriott for the National Ballet of Japan under artistic director Miyako Yoshida, made its world premiere this month in Tokyo, spinning the iconic 1931 Charles Chaplin movie of the same name to pure balletic gold.
FREE ARTICLE
Musubi, the interconnectedness of all things across space and time, is a central concept in Japan’s ancient spiritual worldview, Shintoism.
Continue Reading
Talk about intensity! The American premiere of “Mirlitons” last weekend at the Nimoy as part of CAP UCLA’s season and presented by Dance Reflections by Van Cleef & Arpels, proved...
Performance
Place
Words
Sacramento Ballet is a 72-year-old company in the capital city of California with 25 dancers, a strong history of dancing the works of George Balanchine, and a growing school and second company. As of six weeks ago, Sacramento Ballet also has a new artistic director: Tiit Helimets.
Continue Reading
With just two weeks penciled in at Lincoln Center’s David H. Koch Theatre, American Ballet Theatre’s fall season is a bright but brief standout in the fall dance calendar.
Continue Reading
Back in Hollywood’s “silent era”—that is, when there was actual sound accompanying the movies, just sound produced, as at a ballet, by musical instruments rather than live speech—the legal entity now known to lawyers and stickler cineastes as “Warner Bros.”
Continue Reading
Of all the places Juliet and Romeo could have fled to after Friar Laurence’s plan succeeded, they chose Paris. At least, this is how Ben Duke and Solène Weinachter imagined their fate in “Juliet and Romeo” (2018), now performed by Emily Terndrup and John Kendall in the title roles.
Continue Reading
London City Ballet, the erstwhile resident company of Sadler’s Wells, has just launched its third season since Christopher Marney resurrected the outfit in 2024, fashioning it into a small-scale touring...
Performance
Place
Words
Well, ring-a-ding-ding! With a show which feels far more cohesive than last year, those Strictly guys are back in the Fair City to pay homage to all things Sin City.
Continue Reading
While the world of ballet is considered a rarefied one, what happens when a dancer who trained at the prestigious Paris Opéra Ballet School abandons the art form—or rather integrates said terpsichorean skills—into a solo sans pointe shoes or ballet slippers, sporting, instead, sneakers? The answer can be found in Dimitri Chamblas’ stunning and thought-provoking work, “Ulysse Marion.”
Continue Reading
There is something uncanny about the timing of the Paris Opera’s revival of Kenneth MacMillan’s “L’Histoire de Manon” at the Palais Garnier in October 2026, as turmoil unfolds in the streets of Paris.
Continue Reading
The Nrityagram Dance Ensemble returned to the Joyce Theater this October with a generous evening of new and old works under the umbrella title “Khaṅkhaṇā—the sound of dancing feet.”
Continue Reading
I’ve always wondered what it was like to be in the audience of a Balanchine premiere, and on October 8th, when the New York City Ballet revived “Pithoprakta” for the...
Performance
Place
Words
Destruction is a loaded word, so blunt and final, it's hard to imagine a way to move forward from it. But if there was ever a choreographer who knew how to work from destruction it would be Omar Rajeh, and if there was ever a city that knew distraction too well it would be Beirut.
Continue Reading
As the first evening that Gonzalo Garcia has programmed as Miami City Ballet artistic director, “American Rhythms” provides a glimpse into the future of one of America’s most prominent “Balanchine” companies.
FREE ARTICLE
The curtain rises on a fairy-tale and the theatre around me all but disappears. There is the sensation that I am turning the pages of Charles Perrault’s 1697 telling of Sleeping Beauty.
Continue Reading
It’s important for young dance artists to have the space, time, and resources to create. With its mission of giving autonomy to dancers, Pangea Dance Collective, founded in 2022, is working to offer just that.
Continue Reading
Early in its 2026–27 season, the Paris Opera Ballet presents “Paysages intérieurs (Inner Landscapes),” and once again we are faced with the much-debated question of just how many contemporary mixed...
Performance
Place
Words
