Collective Growth
What would the story of Alice in Wonderland look like if it was reimagined by a group of women?
FREE ARTICLEWorld-class review of ballet and dance.
What would the story of Alice in Wonderland look like if it was reimagined by a group of women?
FREE ARTICLEThe show starts outside the theater. A car, with its right rear window busted out, pulls up, music blaring, bass turned up.
FREE ARTICLEFour distinct works, their creation initiated by a shared prompt. Four choreographers, plus time, space, and the ten dedicated contemporary ballet artists of Amy Seiwert’s company, Imagery.
Continue ReadingWho doesn’t love the circus—especially nouveau cirque? With its unclassifiable blend of genres, it reflects so much of what it means to be human—the comedy, absurdity, beauty, sadness, delight, and more.
Continue Reading“This is historical,” Ballet22 co-founder Theresa Knudson told the audience between works on the company’s latest program, “Momentum.”
FREE ARTICLEPilobolus has become synonymous with pushing boundaries, both in the physical and the thematic. The company’s run at New York City’s Joyce Theater, which culminated their Big Five-OH! Tour—a belated-by-Covid celebration of the company’s 50th anniversary—was a reaffirmation of this mission.
Continue ReadingWhen Mark Morris Dance Group comes to the Joyce Theater August 1-12, the two-week engagement will be one for the dance history books.
FREE ARTICLELucinda Childs/Robert Wilson's “Relative Calm” (1981/2022) opened the six-week long ImpulsTanz Vienna International Dance Festival in its the 40th anniversary on July 7 at Vienna's Volkstheater.
Continue ReadingThere is packaging, topicality, grand themes, elaborate stage designs, high concepts. And then there are moments when the flesh and blood power of dance itself—the presence of a lone body channeling transcendent purpose—leaves you reeling.
Continue ReadingCommunity was a common theme in the Summer Sampler presented by ODC/Dance in July, with premieres by Dexandro Montalvo and Sonya Delwaide, along with recent work of company founders Brenda Way and Kimi Okada.
FREE ARTICLEIn Seoul, South Korea, at the Jongmyo shrine, a royal ancestral ritual of prescribed music and dance is performed annually. The tradition to praise and honor the ancestors of the Joseon Dynasty (1392-1910) has been kept for over 600 years.
Continue ReadingAn “Ajiaco” is a type of soup common to Colombia, Cuba, and Peru that combines a variety of different vegetables, spices, and meats.
Continue ReadingWatching Matthew Bourne's reworked version of the “star-cross'd lovers,” I was briefly reminded of Veronica, played by Winona Ryder, in the dark 1988 comedy by Daniel Waters and Michael Lehmann, Heathers, and her line, “my teen angst bullshit has a body count.” Yes, this is the darker side of Bourne's repertoire,...
Continue ReadingThe choreographer Alexei Ratmansky reflects on the war in Ukraine, the connection between geopolitics and ballet, and joining the house of Balanchine.
Continue ReadingBeneath blue California skies, manicured trees, and the occasional hum of an overhead airplane, Tamara Rojo took the Frost Amphitheater stage at Stanford University to introduce herself as the new artistic director of San Francisco Ballet.
Continue ReadingAfter a week of the well-balanced meal that is “Jewels”—the nutritive, potentially tedious, leafy greens of “Emeralds,” the gamy, carnivorous “Rubies,” and the decadent, shiny white mountains of meringue in “Diamonds”—the New York City Ballet continued its 75th Anniversary All-Balanchine Fall Season with rather more dyspeptic fare.
Continue ReadingAn “Ajiaco” is a type of soup common to Colombia, Cuba, and Peru that combines a variety of different vegetables, spices, and meats.
Continue Reading