People, Places, and Things
Bill T. Jones wriggles upstage on his back in a rectangle of light, reciting an unsent letter to the New York Times dance critic Jack Anderson.
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Angelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic. Arms crossing her chest, she begins to roll southbound. On this sunny, late winter day in early March, a row of flags ripple in the breeze over her head, including the flag of Afghanistan, which is her stage mark for the beginning of this performance in front of the United Nations headquarters.
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Bill T. Jones wriggles upstage on his back in a rectangle of light, reciting an unsent letter to the New York Times dance critic Jack Anderson.
Continue ReadingThe annual Dancing the Gods Festival of Indian Dance celebrated its fourteenth and final year with a generous finale May 16-18. This final event extended for three evenings instead of the usual two.
Continue ReadingSomething old, something new, something borrowed, and something “Blue.” The premise of Australasian Dance Collective’s fortieth anniversary celebration stems from the traditional divisions of time.
Continue ReadingShadows, dark matter and the enigmas of consciousness—the ideas behind Crystal Pite’s “Frontier” are timely and timeless at once.
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