Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
PlusWorld-class review of ballet and dance.
Timelessness is a quality that is hard to pin down. It’s easy to see when a work of art fails to achieve it. But what combination of factors makes a painting, or a play, or a dance feel as if it were suspended in time, as recognizable and familiar now as when it was made, if perhaps in a different way?
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
PlusThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
PlusFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
PlusAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
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