Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
PlusWorld-class review of ballet and dance.
The temperature rose again on Thursday at the Hollywood Bowl, Los Angeles’ celebrated outdoor venue, when Spanish-American conductor François López-Ferrer brought the heat to the Los Angeles Philharmonic in a program dubbed “Symphonic Tango & Flamenco.” Abetting the thirty-something maestro was Flamenco Vivo Carlota Santana, who brought its own brand of steam in a pair of beloved works, Manuel de Falla’s “Three-Cornered Hat, Suite No. 2” and Maurice Ravel’s “Boléro.”
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
PlusThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
PlusFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
PlusAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
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