On Criticism
On rare occasions, a dance seems to speak directly to me—often to my experiences as a dancer, sometimes to my humanity.
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World-class review of ballet and dance.
Perhaps not since Mikhail Fokine’s 1905 iconic “The Dying Swan” has there been as haunting a solo dance depiction of avian death as Aakash Odedra Company’s “Songs of the Bulbul” (2024). The 50-minute piece, inspired by the ancient Sufi myth of a bulbul (nightingale) held in captivity and systematically denied freedom and sunlight to make its birdsong sweeter, proved one of award-winning dancer Aakash Odedra’s very best productions.
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On rare occasions, a dance seems to speak directly to me—often to my experiences as a dancer, sometimes to my humanity.
PlusI can’t take my eyes off the men. Stephen Haley, Joey Columbus, and Ian Debono each have solos in “Mazurkas” that emphasize the Limón posture full of elegance and pride.
PlusWhile the dancers traveled up from Florida, the Sarasota Ballet presented a taste of British sensibilities in its week-long engagement at the Joyce Theater.
Plus“This resting, patience” has been danced in cities ranging from Helsinki to Porto to Venice, and in all of them the crooning vocals of its most-repeated music, Burt Bacharach’s “What the World Needs Now Is Love,” must have been instantly familiar.
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