Bodily Hymns
When I say this work from Hofesh Shechter set my thoughts adrift, I don’t mean that the performance failed to capture my attention.
Plus
World-class review of ballet and dance.
Mark Morris's “The Look of Love” begins with praise. Dancers stand in a circle facing inward with clasped hands and chests lifted as Burt Bacharach's “What the World Needs Now” resonates in the theatre. Morris's dance, which was first performed in 2022 and had its New York premiere at the Brooklyn Academy of Music on March 20th, is a celebration of Bacharach's music and his idea of love, which, in spite of minor ups and downs, remains, as the opening song suggests, overwhelmingly “sweet.”
Performance
Place
Words
When I say this work from Hofesh Shechter set my thoughts adrift, I don’t mean that the performance failed to capture my attention.
PlusGoodbyes are often tearful. As Kun-Yang Lin’s Philly-based dance company, KYL/D, gave its final performance at the Mandell Theater this spring, I found myself sobbing uncontrollably. This was it.
PlusShen Wei is a master mover between worlds—between East and West, between choreography and painting, between process and product, between the physical and the spiritual, and I could go on.
PlusRudolf Nureyev’s “Don Quixote” is a long-running ballet in La Scala’s repertoire, periodically revived and performed on tour.
Plus
comments