A Parisian Dream
A participatory eagerness, a desire to be part of something sweet and beautiful, suffused the return of George Balanchine’s “A Midsummer Night’s Dream” to San Francisco Ballet on the cusp of spring.
Continue ReadingWorld-class review of ballet and dance.
How do dancers with disabilities navigate space? Who is defining space for disabled dancers? What are the objects that obstruct, block and blur? How do we define choreography within the framework of disability? Candoco Dance Company are, as ever, refining and redefining what it is to move in space, and how dancers of various abilities navigate this in their practice. They ask the questions that make other people shy away, because society is still not comfortable with disability. As an arts critic recently diagnosed with a disability, I became increasingly aware during lockdown of how I interact with day to day chores, the wobbly steps I take, and often see how many people try to walk through me as if I am invisible—they would rather I didn't exist. So these two short dance films resonated powerfully for me.
Welly O'Brien in Cuckoo directed by Caroline Darbyshire and Sophie de Oliveira Barata of the Alternative Limb Project
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A participatory eagerness, a desire to be part of something sweet and beautiful, suffused the return of George Balanchine’s “A Midsummer Night’s Dream” to San Francisco Ballet on the cusp of spring.
Continue ReadingEntering his 10th year as artistic director of Philadelphia Ballet, Ángel Corella put his artists through a ring of fire in their early spring concert at the Academy of Music.
Continue ReadingIn her 1951 autobiography Dance to the Piper, Agnes de Mille spends seven pages describing in colorful detail what it was like to be on the road with the Ballets Russes.
FREE ARTICLESix dancers enter from stage left and position themselves along the rear wall, their backs to the audience. Today, the light through a row of windows casts them in silhouette.
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