Lost Time
The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
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World-class review of ballet and dance.
Perhaps not since Mikhail Fokine’s 1905 iconic “The Dying Swan” has there been as haunting a solo dance depiction of avian death as Aakash Odedra Company’s “Songs of the Bulbul” (2024). The 50-minute piece, inspired by the ancient Sufi myth of a bulbul (nightingale) held in captivity and systematically denied freedom and sunlight to make its birdsong sweeter, proved one of award-winning dancer Aakash Odedra’s very best productions.
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The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
Continue ReadingI have seen Megan Fairchild dance three times. The first was semi-unintentional—soon after moving to New York in the fall of 2024, I got one of those $30 for 30+ Under tickets and sat in the orchestra level on stage right.
Continue ReadingFor the sixth year now, the BAAND has gotten back together at Lincoln Center. That is, the BAAND Dance Festival, the annual Chanel-sponsored program that unites five New York City dance companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.
Continue ReadingThere’s just something about the outdoor dance performances that summer brings. Movements take on additional urgency when rain threatens.
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