Golden Touch
Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
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On the surface, these two ballets could not be more contrasting. Yet, what thematically links them is the iconoclastic approach of both Sir Kenneth MacMillan's choreography (this production marks twenty five years of his passing) and the bold invention of Scottish Ballet's own Artistic Director Christopher Hampson—not to mention, of course, the “The Rite Of Spring's” notorious first Parisian performance in 1913, which caused riots.
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Sophie Martin and Christopher Harrison in Christopher Hampson's “The Rite of Spring.” Photograph by Andy Ross
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Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
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