Piece by Piece
Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue ReadingWorld-class review of ballet and dance.
Mo Khansa, who works simply as Khansa, is a radical young Lebanese dance artist, choreographer and singer who interrogates ideas about identity, place, gender, sexuality and autonomy in his incredible work. Influenced by his mother, herself a more traditional type of dancer, and iconic artists like Arca, Robert Mapplethorpe, Bjork and FKA Twigs, his is a singular path. Watching him move feels like being let in on a secret, one which could blow things apart—such is his power.
Mo Khansa in Warsha, directed by Dania Bdeir
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Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue Reading“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.
Continue ReadingBeneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.
FREE ARTICLEHubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.
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