World-class review of ballet and dance.
Many will know Ethan Watts as a dancer with the National Ballet of Canada, but few may know he is a keen photographer. Watts joined us on the set of our upcoming video for Fjord Review #2 at the invitation of Karolina Kuras, to capture the action and ambience of the shoot. Watts photographs exclusively with film. His pictures show not only a trained dancer's eye, but a clear instinct for catching the moment.
Ethan Watts. Photograph by Karolina Kuras for Skylar Campbell Dance Collective
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On the cusp of celebrating their company’s milestone anniversary, Dwight Rhoden and Desmond Richardson, who co-founded the New York-based Complexions Contemporary Ballet in 1994, still have plenty to say, both onstage and off.
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To Sir Frederick Ashton’s fast footwork and musicality belongs the Australian Ballet’s double bill “The Dream” and “Marguerite & Armand.” To the charming misadventure distillation of Shakespeare’s A Midsummer Night’s Dream bubbles “The Dream.”
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The moment arrived two-thirds into the program, near the peak of Donald Byrd’s “Love and Loss.” For more than an hour, the beautiful bodies on screen had been doing eloquent things, to curiously numbing effect.
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Since its founding in 2012 by Benjamin Millepied, L.A. Dance Project has not been lacking in talent, ideas, or, fortunately for them, funding, something that most dance troupes desperately need.
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