Lost Time
The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
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World-class review of ballet and dance.
The world premiere of Remi Wörtmeyer's "La Bohème" marked a seminal moment in the history of BalletMet. The two-act production was unlike any that the 48-year-old Columbus, Ohio-based company has ever staged and showed a marked ascent in its artistic merit. Seldom made into a ballet, Wörtmeyer's reimagining of Italian composer Giacomo Puccini's iconic opera "La Bohème" relocated its setting from nineteenth-century Paris' bohemian Latin Quarter to America's bohemian heartland—the 1920s French Quarter of New Orleans. There, he combined the stage-filling spectacle of a Broadway musical with the dance-as-dialogue approach, and the precision gag humor of a Gene Kelly classic Hollywood movie to create an outstanding theatrical experience.
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The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
Continue ReadingI have seen Megan Fairchild dance three times. The first was semi-unintentional—soon after moving to New York in the fall of 2024, I got one of those $30 for 30+ Under tickets and sat in the orchestra level on stage right.
Continue ReadingFor the sixth year now, the BAAND has gotten back together at Lincoln Center. That is, the BAAND Dance Festival, the annual Chanel-sponsored program that unites five New York City dance companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.
Continue ReadingThere’s just something about the outdoor dance performances that summer brings. Movements take on additional urgency when rain threatens.
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