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The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024.
FREE ARTICLEWorld-class review of ballet and dance.
“The Bowie Project,” the brainchild of Austin-based choreographer Andrea Ariel, whose other credits include the choreography for the film Waiting for Guffman and a three-part dance-theatre series on the floating garbage patch in the North Pacific Gyre, was an exercise in personae, layering, fragmenting, and improvisation. The performance, which incorporated three dancers, the David Bowie tribute band Super Creeps, and three members of New York’s Strike Anywhere Performance Ensemble, utilized Soundpainting, a “composing sign language” invented by musician Walter Thompson. Working with Thompson, Ariel adapted and expanded the vocabulary of music-focused conducting gestures—they look a bit like the gestures one makes during a game of charades—for dance and performance. Through Soundpainting with a bank of Bowie songs, text from his interviews, and movement sequences within a predetermined arc, the show facilitated an engagingly disorienting dive into the most outwardly colorful period of Bowie’s life and work: the 1970s.
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The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024.
FREE ARTICLEBefore digital audio, compact discs, cassette tapes with their ribbons of sound sandwiched within a small case, and pressed vinyl records, came wax cylinders to record and reproduce sound, thanks to Thomas Edison’s 1877 invention of the hand-cranked phonograph.
Continue ReadingFar from Southern Spain, but in the heart of Hollywood, that once monthly dance staple, “Forever Flamenco,” was alive and well again at the Fountain Theatre, if only for the month of August.
Continue ReadingSince 1980, the Australian Ballet's National Tour (or really, the Dancers' Company as everyone calls it), is a much anticipated event for the graduating students of the Australian Ballet School.
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