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Punch Line
REVIEWS | Karen Hildebrand

Punch Line

If you’ve ever laughed at the wrong moment, or at a joke that wasn’t funny, or to break the tension, then you will appreciate the theme of Shannon Gillen’s “Punch Line,” performed by the physical dance theater group Vim Vigor, that opened the Gibney performance 2023-24 season in September.

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Hope on the Horizon
REVIEWS | Gracia Haby

Hope on the Horizon

With a bang it begins, the explosion of a star, on stage at the Playhouse, Arts Centre. Bangarra Dance Theatre’s “Yuldea” has arrived on Wurundjeri Country (Melbourne) with a supernova to outshine entire galaxies, before heading to Bendigo, Djaara Country, for the final quivering leg and jutting arm of shifting gas and particles.

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Graham 100
REVIEWS | Victoria Looseleaf

Graham 100

Marking a centenary is always an occasion. And for the Martha Graham Dance Company, which was founded in 1926 and is the oldest dance troupe in America, the festivities have just begun.

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Mountain High
REVIEWS | Victoria Looseleaf

Mountain High

A virulent new strain of Covid is on the rise; democracy is in peril; and the war still rages on in Ukraine. But relief of the highest order came in the form of, “The Missing Mountain.”

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America, F**K Yeah
REVIEWS | Faye Arthurs

America, F**K Yeah

After a week of the well-balanced meal that is “Jewels”—the nutritive, potentially tedious, leafy greens of “Emeralds,” the gamy, carnivorous “Rubies,” and the decadent, shiny white mountains of meringue in “Diamonds”—the New York City Ballet continued its 75th Anniversary All-Balanchine Fall Season with rather more dyspeptic fare.

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Teenage Angst and Institutions
REVIEWS | Lorna Irvine

Teenage Angst and Institutions

Watching Matthew Bourne's reworked version of the “star-cross'd lovers,” I was briefly reminded of Veronica, played by Winona Ryder, in the dark 1988 comedy by Daniel Waters and Michael Lehmann, Heathers, and her line, “my teen angst bullshit has a body count.” Yes, this is the darker side of Bourne's repertoire, and it pulls no punches.

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Dance of Death
REVIEWS | Marina Harss

Dance of Death

Smaïl Kanouté is a French-Malian graphic designer, dancer, and choreographer based in Paris, and the founder of a Compagnie Vivons, which combines visual art, film, and live performance. 

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