Piece by Piece
Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue ReadingWorld-class review of ballet and dance.
According to artistic director Peter Boal’s welcome letter for Pacific Northwest Ballet’s fifth season program, the most popular mixed rep slates at PNB feature works by Crystal Pite or Twyla Tharp. Well, this San Francisco-based fan sure appreciates their taste up there in Seattle. Boal must reckon himself in a happy place as AD when, to satisfy the local masses, he gets to pair a small, deceptively simple masterpiece by Tharp with a juicy mass spectacle by Pite. In between, Boal placed a short, imagistically powerful solo by the company’s new resident choreographer, Jessica Lang. Released as part of the company’s Covid-initiated digital offerings, it all played beautifully for the screen. Don’t blame a California-based ballet lover for wishing she could transplant the company 800 miles south.
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Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue Reading“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.
Continue ReadingBeneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.
FREE ARTICLEHubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.
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