Portraits of a Lady
Martha Graham is the Georgia O’Keefe of dance. No matter what the source material, the primary subject of her works is womanhood.
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Last week, during the first Fjord Review Dance Critics’ Festival, Mindy Aloff discussed and read from an Edwin Denby essay during “The Critic’s Process” panel. In the essay, titled, “Meaning in ‘The Nutcracker’,” Denby deconstructs the Christmas ballet to uncover associations and sexual symbols he finds in the fairy tale, controlled and clarified through the suite ballet form.
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Martha Graham is the Georgia O’Keefe of dance. No matter what the source material, the primary subject of her works is womanhood.
Continue ReadingPetite in stature, with beautiful, delicate features, Scottish dance artist Suzi Cunningham is nonetheless a powerhouse performer: an endless shape shifter whose work ranges from eerie to strange, to poignant, or just absolutely hilarious.
Continue ReadingWith his peerless vocabulary of postmodern abstract moves—or, as he’s called it, “gumbo style,” which blends Black dance with classical ballet techniques—Kyle Abraham, a 2013 MacArthur Genius grant awardee, has been making thought-provoking works for decades.
Continue ReadingCan art save civilization? The question matters deeply to Brenda Way, who has dedicated her life to the arts in San Francisco.
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