Bodily Hymns
When I say this work from Hofesh Shechter set my thoughts adrift, I don’t mean that the performance failed to capture my attention.
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World-class review of ballet and dance.
When I say this work from Hofesh Shechter set my thoughts adrift, I don’t mean that the performance failed to capture my attention.
Continua a leggereGoodbyes are often tearful. As Kun-Yang Lin’s Philly-based dance company, KYL/D, gave its final performance at the Mandell Theater this spring, I found myself sobbing uncontrollably. This was it.
Continua a leggereShen Wei is a master mover between worlds—between East and West, between choreography and painting, between process and product, between the physical and the spiritual, and I could go on.
Continua a leggereRudolf Nureyev’s “Don Quixote” is a long-running ballet in La Scala’s repertoire, periodically revived and performed on tour.
Continua a leggereEven in stillness, there is energy. When the stage lights up on Cassandra Trenary, the dancer is already quivering, muscles tensed, as if gearing up for a fight. That is precisely what ensues.
Continua a leggereCell phones and motorcycle headlights illuminated the stage at the Teatro América during a recent performance of the ballet company ProDanza. When the music also failed, audience members joined dancers in singing along, ensuring the show could go on.
Continua a leggereHow do we navigate a balance between the collective and the individual? How do we negotiate strength and flexibility? How do we value tradition while embracing innovation?
Continua a leggere“Vibrations” closes the Opéra Garnier’s 2025/26 season with what might be read as a triptych on dance’s future, past, and present.
Continua a leggereParticles or string? Dark matter or light? The National Ballet of Japan offers up a contemporary double-bill of dance, loosely connected by visual metaphors to modern physics.
Continua a leggereWhen Yvonne Rainer choreographed “Trio A” on herself in 1965, it took six months to work out the four-and-half-minute solo. But for many early audience members, its effect was immediate and electric.
FREE ARTICLENina Ananiashvili was still thrilling audiences as an exceptional ballerina when, in 2004, she got a call from Georgia’s newly elected president, Mikheil Saakashvili.
Continua a leggereCity living is not for all of us. For many there is nothing more appealing than that stillness of nature, that sense of suspended time.
Continua a leggereLong before the dancers take the stage, Dance Theatre of Harlem’s season at New York City Center feels like one of the most energizing cultural events of the spring.
Continua a leggereIt is rare for George Balanchine’s grand, bedazzled “Symphony in C” to open a program. Its champagne-popping finale for 52 dancers tends to be a nightcap.
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The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.
Continua a leggereAs the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.
Continua a leggereOne of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.
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