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Crime of Passion
REVIEWS | Gracia Haby

Crime of Passion

Cold, immovable violence is rooted at the heart of Johan Inger’s “Carmen.” Drawing from Prosper Mérimée’s 1845 novella, Inger’s timeless version of “Carmen” revels, as it was originally written, Carmen’s death, at the hands of Don José, as chillingly intentional.

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Accolades Due
REVIEWS | Faye Arthurs

Accolades Due

As Hollywood geared up to decorate film performers in front of the world at the annual Oscars ceremony, New York City Ballet principal dancers Mira Nadon and Peter Walker laid down a phenomenal “Swan Lake” for a lucky audience of about 2,600 on an unassuming Wednesday night.

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A Darker Dream
REVIEWS | Emily May

A Darker Dream

A Midsummer Night’s Dream” is one of William Shakespeare’s best-known comedies. Filled with fairies, mischief, and moments of mistaken identity, it's a mischievous tale that delights with its chaos and humor.

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Tracing Time
FEATURES | Rachael Moloney

Tracing Time

The touring Dance Reflections by Van Cleef & Arpels Festival is about to land in London, March 12- April 8, returning to the location of its first edition in 2022.

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Simple Gifts
REVIEWS | Marina Harss

Simple Gifts

The Sarasota Ballet is not only an impressive troupe in its own right, with a repertory that elevates it to the top rank of America’s regional ballet companies. It also has the enlightened policy of inviting outside companies to perform as part of its yearly seasons.

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Getting Low
REVIEWS | Karen Hildebrand

Getting Low

From the moment Darrell Jones steps onto the platform erected as a stage in an empty gallery space of MoMa PS1, he’s constantly in motion. Barefoot, in t-shirt and workout pants, he moves to a beat only he can hear, AirPods sticking out from his ears. Both fluid and awkward, his energy is frenetic.

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Dressing the Part
REVIEWS | Chava Pearl Lansky

Dressing the Part

Last fall, designer Batsheva Hay started her New York Fashion Week runway show with an unconventional opener. Lori Belilove, the artistic director of Lori Belilove & the Isadora Duncan Dance Company, performed Isadora Duncan’s solo “The Revolutionary.”

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Sweet Peas
REVIEWS | Róisín O'Brien

Sweet Peas

Joffrey Ballet’s latest mixed bill programme, “Golden Hour,” unfurled into the still dark and snowy evening streets of Chicago in mid-February (‘Danger Ice Falling’ signs littering the pavements). This diverse mix of works contained two world premieres, including a co-production with Oregon Ballet Theatre titled “Princess and the Pea.”

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Forces of Nature
REVIEWS | Victoria Looseleaf

Forces of Nature

Nijinsky lives! Or at least it seemed that way in a commanding performance by the five dancers of “Bodysuit,” an extraordinary work created by the eternally intriguing Sharon Eyal, purveyor of Gaga, and British artist Georgy Rouy, with Eyal’s husband, Gai Behar, credited as co-creator.

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Do Not Dance
OPINION | Cecilia Whalen

Do Not Dance

In 1936, Martha Graham was invited by the Nazi-controlled German Ministry of Culture to perform at the Olympic Games in Berlin. Courageously, Graham refused: “I would find it impossible to dance in Germany at the present time. So many artists whom I respect and admire have been persecuted, have been deprived of the right to work for ridiculous and unsatisfactory reasons, that I should consider it impossible to identify myself, by accepting the invitation, with the regime that has made such things possible.”

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