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Latest

A Feminist Raymonda
REVIEWS | Rachel Howard

A Feminist Raymonda

Tamara Rojo’s ambitious “Raymonda” was the last thing she did at English National Ballet before assuming the directorship in San Francisco three years ago, so it was natural that she would want to bring it here early in her tenure.

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Wondrousland
REVIEWS | Steve Sucato

Wondrousland

With each dance season’s new ballets, some become memorable with audiences and critics for their artistry and emotional connection, fewer reveal themselves as hits, and even fewer have the potential to become box office record breakers. Tulsa Ballet's new “Alice in Wonderland” is the rare gem that does all three.  

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Interwoven Threads
REVIEWS | Karen Hildebrand

Interwoven Threads

Dreadlocks are not the first thing that come to mind, looking at UK artist Nicola Turner’s fibre sculpture currently installed at Carvalho Park gallery in East Williamsburg. But I hesitate to open a review with a vision of the poop emoji.

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Borderline
REVIEWS | Victoria Looseleaf

Borderline

Inspired by breaking, neo-classical ballet and dance theater, Rubberband, founded in Montreal in 2002 by Victor Quijada, presented two works at BroadStage over the weekend in what was seen as a homecoming of sorts for Quijada.

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