Lost Time
The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
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World-class review of ballet and dance.
Perhaps not since Mikhail Fokine’s 1905 iconic “The Dying Swan” has there been as haunting a solo dance depiction of avian death as Aakash Odedra Company’s “Songs of the Bulbul” (2024). The 50-minute piece, inspired by the ancient Sufi myth of a bulbul (nightingale) held in captivity and systematically denied freedom and sunlight to make its birdsong sweeter, proved one of award-winning dancer Aakash Odedra’s very best productions.
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The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
Continua a leggereI have seen Megan Fairchild dance three times. The first was semi-unintentional—soon after moving to New York in the fall of 2024, I got one of those $30 for 30+ Under tickets and sat in the orchestra level on stage right.
Continua a leggereFor the sixth year now, the BAAND has gotten back together at Lincoln Center. That is, the BAAND Dance Festival, the annual Chanel-sponsored program that unites five New York City dance companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.
Continua a leggereThere’s just something about the outdoor dance performances that summer brings. Movements take on additional urgency when rain threatens.
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