Classic Beauty
The curtain rises on a fairy-tale and the theatre around me all but disappears. There is the sensation that I am turning the pages of Charles Perrault’s 1697 telling of Sleeping Beauty.
Continua a leggere
World-class review of ballet and dance.
In transparent specimen bags, arranged in a circle, float Lemon Myrtle, Warrigal Greens, and Red Bottle Brush. Alongside, flora incarnate, coil dancers Yara Xu, Benjamin Garret, and Montana Ruben. But it is more than skin deep. The flowers are the dancers, and the dancers are the flowers. Zeak Tass is Kangaroo Paw, Emily Flannery is Red Waratah, Kassidy Waters is Flowering Gum, and Elijah Trevitt is Red Banksia. On the opening night of the world premiere of Frances Rings’s “Flora,” a collaboration between the Australian Ballet and Bangarra Dance Theatre, at the Regent Theatre in Melbourne/Naarm, specimens have been uprooted and are being dried, and in the process, they are becoming artefacts. The living is being collected, the harm of which is forever felt.
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The curtain rises on a fairy-tale and the theatre around me all but disappears. There is the sensation that I am turning the pages of Charles Perrault’s 1697 telling of Sleeping Beauty.
Continua a leggereIt’s important for young dance artists to have the space, time, and resources to create. With its mission of giving autonomy to dancers, Pangea Dance Collective, founded in 2022, is working to offer just that.
Continua a leggereEarly in its 2026–27 season, the Paris Opera Ballet presents “Paysages intérieurs (Inner Landscapes),” and once again we are faced with the much-debated question of just how many contemporary mixed bills the company should programme.
Continua a leggereAt the end of the year, Lucy Guerin will step down as founding artistic director of Lucy Guerin Inc, with Melanie Lane to take the helm in 2027, and a new company name to be revealed.
Continua a leggere
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