Ce site Web a des limites de navigation. Il est recommandé d'utiliser un navigateur comme Edge, Chrome, Safari ou Firefox.

Fjord Review Gift

Fjord Review Gift

HOW TO REDEEM:

1. Add Fjord Subscription to Cart

Select which subscription you’d like to gift in a dollar amount.

2. Create your Fjord Account

The gift card gets sent via email to the recipient.

3. Redeem Gift Card in Checkout

Recipient uses gift card to purchase a Fjord subscription.

"Now ten years old, this extraordinary little magazine has grown to become a cultural mainstay, not just a valued critical source, but a cultural communicator, critic, review, booster and historian."

Brenda Way
ODC/Dance

Articles

What Moves You
REVIEWS | Faye Arthurs

What Moves You

The Fall for Dance Festival programming formula runs roughly thus: feature a new troupe, include a pet (or vanity) project of a big NYC star, and end with a feel-good group showcase.

Plus
In Phase
REVIEWS | Emily May

In Phase

As the fight for greater visibility for women choreographers continues, it was encouraging to see Carlos Acosta, director of Birmingham Royal Ballet, commission an all-female creative team for “Luna,” the final piece in his trilogy celebrating the company’s hometown.

Plus
Puppet Master
REVIEWS | Mindy Aloff

Puppet Master

He is the love of your life. You are his one-and-only. The pair of you is doomed: Obligations to the social order make your relationship impossible. The only way out—double suicide. Actually, this being eighteenth-century Japan, you let him literally do it all; still, you are his forever and there is no turning back.

Plus

“Jérôme Bel”

“Jérôme Bel”

Measured against his own criteria, French dance maker Jérôme Bel would seem a failure. In the eponymously named show that opened the L’Alliance New York Crossing the Line Festival last week,...

Performance

“Jérôme Bel,” created by Jérôme Bel, directed by Steve Cosson

Place

Florence Gould Theater at L’Alliance New York, New York, NY, September 27, 2024

Words

Karen Hildebrand

Plus
With Humor and Flair
REVIEWS | Rachel Howard

With Humor and Flair

It’s a new era at Smuin Contemporary Ballet, but incoming artistic director Amy Seiwert was still invoking her old boss pre-curtain as the company toured its first program under her leadership to the San Francisco suburb of Walnut Creek.

FREE ARTICLE
Through Enamel Eyes
REVIEWS | Sophie Bress

Through Enamel Eyes

I have a confession. Until last week, I had never seen “Coppélia.” I know the story well, however, and a young me performed many approximations of Swanilda’s role alone in my bedroom, thanks to a beloved and well-worn copy of The Illustrated Book of Ballet Stories, a book and cassette combo narrated by Darcey Bussell.

Plus
Eclectic NYCB
REVIEWS | Faye Arthurs

Eclectic NYCB

The second program of the New York City Ballet’s fall season was called “Eclectic NYCB” and it lived up to its billing. It featured a second-tier Balanchine work, a Jerome Robbins crowd-pleaser, and two heartfelt pas de deux acquired from outside dance festivals—one a company premiere.

Plus
Finding Balance
REVIEWS | Cecilia Whalen

Finding Balance

New York City Center's Fall for Dance Festival continued with programs featuring Complexions Contemporary Ballet, a world premiere duet performed by Skylar Brandt and Herman Cornejo, and a tap tribute to Nina Simone performed by M.A.D.D. Rhythms collective, among other performances. 

Plus

Staying True: Christopher Marney and the Rebirth of London City Ballet

Staying True: Christopher Marney and the Rebirth of London City Ballet

This past July, the newly resurrected London City Ballet opened its first season since 1996 with a program of rarely seen works and new choreographies. 

Plus
Indra’s Vast Net
REVIEWS | Karen Greenspan

Indra’s Vast Net

Imagine a large net stretched across the vast expanse of our world system studded with an infinitely faceted jewel at each intersection.

Plus
Falling, Floating, and Flying
REVIEWS | Cecilia Whalen

Falling, Floating, and Flying

A smoky, orange hue hovers over the stage like wildfire smoke. A woman emerges from the flame, floating erect atop a crawling man’s back. She bends her knees and dismounts, arriving center stage, delivered to the audience like a queen. 

Plus
July September Romance
REVIEWS | Faye Arthurs

July September Romance

Last night I went to my first show of New York City’s jam-packed fall dance season, and though I never floated outside of the space-time continuum, I did feel invigorated by the New York City Ballet’s excellent opening program.

Plus

Reflections, Reverence, and Spellbinding Artistry

Reflections, Reverence, and Spellbinding Artistry

Terry Beck first saw Hellmut Gottschild’s Zero Moving dance company as a student at Temple University in the ’70s. Beck was working towards a teaching degree in Special Education and...

Performance

Temple Dance Department: “Harbour” / “Dig” by Terry Beck

Place

Tomlinson Theater, Department of Dance, Philadelphia, PA, September 6-7, 2024

Words

Merilyn Jackson

FREE ARTICLE
Sound and Body Waves
REVIEWS | Victoria Looseleaf

Sound and Body Waves

Whether bending backwards as if channeling Paul Chavez’ otherworldly sounding music, or crouching down ever so slowly and quasi-teetering on the floor, dancer Roxanne Steinberg proved a master of the body. 

Plus
Running Wilde
REVIEWS | Gracia Haby

Running Wilde

On opening night of the world premiere of Christopher Wheeldon’s “Oscar” at the Australian Ballet’s new home for the next three years, the Regent Theatre (as the State Theatre undergoes renovations), I am catapulted from September 13, 2024 to April 26, 1885, and the commencement of the trial of Oscar Wilde.

Plus
Gregory Maqoma: My Life, My Dance
INTERVIEWS | Victoria Looseleaf

Gregory Maqoma: My Life, My Dance

Having a dance company is always difficult. But founding a troupe and keeping it going for 25 years is even more challenging. Add to that the political, cultural and economic landscape of South Africa, and the odds might seem unsurmountable.

Plus
NYCB On and Offstage
REVIEWS | Eva S. Chou

NYCB On and Offstage

New York City Ballet concluded its 75th anniversary year with its traditional summer residency upstate at the amphitheater of Saratoga Springs’s Performing Arts Center (SPAC). 

Plus

United

United

The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024. 

FREE ARTICLE
Good Subscription Agency