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The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024.
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The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024.
FREE ARTICLEBefore digital audio, compact discs, cassette tapes with their ribbons of sound sandwiched within a small case, and pressed vinyl records, came wax cylinders to record and reproduce sound, thanks to Thomas Edison’s 1877 invention of the hand-cranked phonograph.
PlusFar from Southern Spain, but in the heart of Hollywood, that once monthly dance staple, “Forever Flamenco,” was alive and well again at the Fountain Theatre, if only for the month of August.
PlusSince 1980, the Australian Ballet's National Tour (or really, the Dancers' Company as everyone calls it), is a much anticipated event for the graduating students of the Australian Ballet School.
PlusOn a mid-summer evening, along the banks of the Hudson River in Lower Manhattan, a colorful band of performers costumed in orange and blue merged with the sunset and the...
PlusEvery year at the Edinburgh Festival Fringe, I look forward to the Taiwan Season. A curated selection of shows within the organised chaos of the festival, the quality of the dancing is always exemplary. I caught two out of the four shows of this season’s offering.
FREE ARTICLEDance aficionados are on high alert any time there’s a new Bill T. Jones work. That the artistic director/co-founder and choreographer of the Bill T. Jones/Arnie Zane Company did not make dances for “The Motherboard Suite,” but directed it, still made for a solid evening of dance drama.
PlusOnce a year New York City dance lovers and Brooklyn beach-goers converge in the Venn diagram of performance art and natural splendor that is Beach Sessions Dance Series.
PlusThe temperature rose again on Thursday at the Hollywood Bowl, Los Angeles’ celebrated outdoor venue, when Spanish-American conductor François López-Ferrer brought the heat to the Los Angeles Philharmonic in a program...
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This provocative double bill showcases contrasting approaches to the body, and perceptions of how and why they take up and transform the space. It's also a meditation on art as an act of resistance, a form of political liberation.
PlusDuring her 15 years dancing with American Ballet Theatre, Melanie Hamrick always brought a book to rehearsal. “Sometimes if it wasn’t my cast—and because I’d done “Swan Lake” so many times—I’d try to sneak a book in my lap,” she remembers.
PlusThe Pilobolus troupe took over the Joyce Theater for three weeks this August with a rotating pair of programs: one was called “Dreams,” the other, “Memory.” Both titles were good catchalls for the company’s signature brand of surrealist, muscular theatricality.
PlusA unique cooperation by New York City’s five largest dance companies, BAAND Together Dance Festival was conceived as an effort to restart live dance performance after the pandemic.
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Bookending my first day at the Edinburgh Festival are two very different but beautiful performances at the wonderful Dance Base venue in the Grassmarket, Matthew Hawkins’s “Ready” and Christine Thynne and Robbie Synge’s “These Mechanisms.”
FREE ARTICLEBharatanatyam soloist, Christopher Gurusamy, describes his practice as purely based on his traditional dance training, Bharatanatyam, an Indian classical dance that originated in the Hindu temples of Tamil Nadu in southern India.
PlusOn a sultry day like this, it might be easy to imagine we’re somewhere in the south, rather than the urban confines of Hearst Plaza, where a small group has gathered, curious about a free event. We’re not quite sure where to sit.
PlusOne night, three premieres, and a mixture of tradition and originality. Queensland Ballet’s “Bespoke” presented new works that playfully experimented with the classical technique in a contemporary setting.
PlusWhen viewing a work by Pam Tanowitz, it pays to look closely. Beyond the precision and fleet feet of her Cunningham-trained dancers, there is often another layer to discover. She...
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