As someone who did time in the jazz and tap competition circuit and then Regional Dance America festivals, I was curious to see the Gala performance for the Youth American Grand Prix, which has become one of the biggest dance competitions in the world. The YAGP, in its 24th year, holds annual events in 30 American cities and 15 international ones, giving out half a million dollars in scholarships. I’ve recently covered the more conventional pathways to a dance career: junior troupes and institutional workshops. The YAGP provides yet another route to professional employment, particularly for students who reside outside of metropolitan dance hubs. As board member Sergei Gordeev stated in his introductory speech: presently, 60 of American Ballet Theater’s 93 dancers are YAGP alums, and “over a dozen” former competitors are currently in the New York City Ballet.
Chloe Misseldine performs a solo from "William Tell" at YAGP. Photograph by Jennifer Wingrove
One way to get to know the history of a company is through the “liner notes” of its “Swan Lake” production, and for those of us continuing to build an admiring familiarity with Pacific Northwest Ballet via its digital season offerings, Kent Stowell and Francia Russell’s “Swan Lake” provides an interesting glimpse into PNB prior to Peter Boal’s leadership.FREE ARTICLE