The Mahabharata: A Timeless Retelling
Why Not Theatre’s bold, multidisciplinary adaptation of the Mahabharata drew a rapt audience at Lincoln Center’s vibrant summer arts festival “Summer for the City.”
PlusWorld-class review of ballet and dance.
Performer Lucy Gaizely and her ‘tween’ fourteen year old son Raedie sit on stage, clad in flesh-coloured leotards and classic Sia blonde bob wigs. Both are huge fans of the husky voiced Australian singer-songwriter and record producer Sia Furler. Both have a rebellious streak, and a tendency (by their own admissions) to run off at the mouth. Both have soulful eyes, and mischievously twitching mouths. Both are at the juncture in their lives where they are acutely, excruciatingly, embarrassing to each other, often in public.
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Why Not Theatre’s bold, multidisciplinary adaptation of the Mahabharata drew a rapt audience at Lincoln Center’s vibrant summer arts festival “Summer for the City.”
PlusStephen Petronio has an odd way of celebrating his 40th anniversary. He and his board have decided this season will be the company’s last.
PlusWashington, D.C.’s 100° June weather wasn’t the only thing generating heat in the city. Chamber Dance Project’s 11th annual D.C. summer season production, “Red Angels,” produced its own scorching intensity as one of this summer’s early triumphs.
PlusA ballet body is essentially a deformed body. The older and more experienced the dancer, the more evident–and beautiful–this deformation is.
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