Past Lives, Future Selves
In an animation that is woven through the performances of traditional dances in Indigenous Enterprise’s “Still Here,” a young boy watches a video of powwow musicians and dancers with his grandfather on Youtube.
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World-class review of ballet and dance.
In their brand new facility in Sydney’s Walsh Bay, Bangarra Dance Theatre have once again produced an awe-inspiring work, but this time, it might also be their sweetest; their first offering for children: “Waru—Journey of the Small Turtle.”
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Elma Kris and Aba Bero in “Waru—Journey of the Small Turtle” by Bangarra Dance Theatre. Photograph by Daniel Boud
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In an animation that is woven through the performances of traditional dances in Indigenous Enterprise’s “Still Here,” a young boy watches a video of powwow musicians and dancers with his grandfather on Youtube.
PlusIt was apropos that I attended choreographer Wanjiru Kamuyu’s latest work, “Fragmented Shadows,” just before Halloween.
PlusMaking its long anticipated debut at Sadler’s Wells, “Figures in Extinction" is perhaps the brightest new feather in Nederland Dans Theater’s cap.
PlusThe final program of American Ballet Theatre’s fall season, titled “Innovations Past and Present,” featured the world premiere of Juliano Nunes “Have We Met!?” as well as two company gems: Alexei Ratmansky’s “Serenade after Plato’s Symposium” and George Balanchine’s “Theme and Variations.”
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