Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
PlusWorld-class review of ballet and dance.
Can art save civilization? The question matters deeply to Brenda Way, who has dedicated her life to the arts in San Francisco. The question also became pressing to me, for unexpected reasons, while watching ODC/Dance’s gala program dedicated to Way’s works.
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
PlusThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
PlusFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
PlusAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
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Thanks, Rachel. I think you’re right. Come to Seattle. R and J this month.