When is a music video also a dance film? This is a question that I’ve often asked myself as a result of the propensity amongst curators, speakers, museums, arts institutions and more to sort, arrange, label, and otherwise categorize works that contribute to popular arts and culture. With dance in particular there are times where I feel that even labeling work as classical, contemporary, commercial, or otherwise is at once too little and too much information. The thought that I keep arriving at is that I’m not sure that it serves anyone to categorize at all.
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Featured
Myth Meets Grit
“Specky Clark” opens with a bang, then a whimper. The bang is the titular Specky’s mother, dropping dead onto the kitchen floor.
PlusBending the Process
The sought-after choreographer Aszure Barton and award-winning composer Ambrose Akinmusire bend their individual arcs toward one another in their collaborative, multi-disciplinary work titled “A a | a B : Bend,” presented as part of Lincoln Center’s Pasculano Collaborative for Contemporary Dance.
PlusDreamscapes
There's a wonderful collection of photographs from 1911 of Nijinsky taken by Auguste Bert. Nijinsky was 21 and at the peak of his dance career.
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